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    Open a larger version of the following image in a popup: LUKE IKSIKTAARYUK (1909-1977) QAMANI’TUAQ (BAKER LAKE), Standing Man
    Open a larger version of the following image in a popup: LUKE IKSIKTAARYUK (1909-1977) QAMANI’TUAQ (BAKER LAKE), Standing Man
    Open a larger version of the following image in a popup: LUKE IKSIKTAARYUK (1909-1977) QAMANI’TUAQ (BAKER LAKE), Standing Man
    Open a larger version of the following image in a popup: LUKE IKSIKTAARYUK (1909-1977) QAMANI’TUAQ (BAKER LAKE), Standing Man
    Open a larger version of the following image in a popup: LUKE IKSIKTAARYUK (1909-1977) QAMANI’TUAQ (BAKER LAKE), Standing Man

    LUKE IKSIKTAARYUK (1909-1977) QAMANI’TUAQ (BAKER LAKE)

    Standing Man
    antler, 8.5 x 4.75 x 4 in (21.6 x 12.1 x 10.2 cm)
    unsigned.

    LOT 138
    ESTIMATE: $4,000 — $6,000

    Further images

    • (View a larger image of thumbnail 1 ) UNIDENTIFIED ARTIST, POSSIBLY IGLOOLIK, Reclining Sea Goddess, mid 1960s
    • (View a larger image of thumbnail 2 ) UNIDENTIFIED ARTIST, POSSIBLY IGLOOLIK, Reclining Sea Goddess, mid 1960s
    • (View a larger image of thumbnail 3 ) UNIDENTIFIED ARTIST, POSSIBLY IGLOOLIK, Reclining Sea Goddess, mid 1960s
    • (View a larger image of thumbnail 4 ) UNIDENTIFIED ARTIST, POSSIBLY IGLOOLIK, Reclining Sea Goddess, mid 1960s
    • (View a larger image of thumbnail 5 ) UNIDENTIFIED ARTIST, POSSIBLY IGLOOLIK, Reclining Sea Goddess, mid 1960s
    • Standing Man
    This Standing Man by Iksiktaaryuk makes an interesting contrast with his Gesturing Figure (Lot 109). The two works show the astonishing range of feelings that the artist was able to...
    Read more

    This Standing Man by Iksiktaaryuk makes an interesting contrast with his Gesturing Figure (Lot 109). The two works show the astonishing range of feelings that the artist was able to express given the apparently restrictive antler medium at his disposal. While Gesturing Figure is expansive in gesture, carefree in attitude, and engaged with the viewer, Standing Man is a solitary motionless figure, self-contained, contemplative, and perhaps even melancholy in aspect. The figure has a tentative quality as well; perhaps the man is elderly.


    Literature: For a similar standing figure with a very similar treatment of both the arms and legs see the Art Gallery of Ontario exhibition catalogue, The People Within (Toronto, 1976), cat. 87. See the section on the artist in Norman Zepp, Pure Vision: The Keewatin Spirit (Regina: Norman Mackenzie Art Gallery, 1986), pp. 130-139.
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    Provenance

    A Montreal Collection. 
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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