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Open a larger version of the following image in a popup: CONLUCY NAYOUMEALOOK (1891-1958) INUKJUAK (PORT HARRISON), Standing Woman in an Amautiq, mid-1950s
Open a larger version of the following image in a popup: CONLUCY NAYOUMEALOOK (1891-1958) INUKJUAK (PORT HARRISON), Standing Woman in an Amautiq, mid-1950s
Open a larger version of the following image in a popup: CONLUCY NAYOUMEALOOK (1891-1958) INUKJUAK (PORT HARRISON), Standing Woman in an Amautiq, mid-1950s
Open a larger version of the following image in a popup: CONLUCY NAYOUMEALOOK (1891-1958) INUKJUAK (PORT HARRISON), Standing Woman in an Amautiq, mid-1950s
Open a larger version of the following image in a popup: CONLUCY NAYOUMEALOOK (1891-1958) INUKJUAK (PORT HARRISON), Standing Woman in an Amautiq, mid-1950s

CONLUCY NAYOUMEALOOK (1891-1958) INUKJUAK (PORT HARRISON)

Standing Woman in an Amautiq, mid-1950s
stone, 8.25 x 6 x 4.5 in (21 x 15.2 x 11.4 cm)
unsigned.

LOT 50
ESTIMATE: $6,000 — $9,000

Further images

  • (View a larger image of thumbnail 1 ), currently selected., currently selected., currently selected. UNIDENTIFIED ARTIST, POSSIBLY IGLOOLIK, Reclining Sea Goddess, mid 1960s
  • (View a larger image of thumbnail 2 ) UNIDENTIFIED ARTIST, POSSIBLY IGLOOLIK, Reclining Sea Goddess, mid 1960s
  • (View a larger image of thumbnail 3 ) UNIDENTIFIED ARTIST, POSSIBLY IGLOOLIK, Reclining Sea Goddess, mid 1960s
  • (View a larger image of thumbnail 4 ) UNIDENTIFIED ARTIST, POSSIBLY IGLOOLIK, Reclining Sea Goddess, mid 1960s
  • (View a larger image of thumbnail 5 ) UNIDENTIFIED ARTIST, POSSIBLY IGLOOLIK, Reclining Sea Goddess, mid 1960s
  • Standing Woman in an Amautiq
This lovely Standing Woman was previously unattributed, but our research shows that it is definitely by the Inukjuak artist Conlucy Nayoumealook. Two identified depictions of women, in the Winnipeg Art...
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This lovely Standing Woman was previously unattributed, but our research shows that it is definitely by the Inukjuak artist Conlucy Nayoumealook. Two identified depictions of women, in the Winnipeg Art Gallery and Art Gallery of Ontario collections respectively, have high distinctive, identically shaped hoods. This unusual shape of amautiq hood - a shallow, broad triangular prism with a slightly rounded peak - and the way it frames the woman’s face, is Nayoumealook’s own invention. The broad hood establishes the proportions for the entire sculpture, giving Standing Woman quite a commanding sculptural presence. The rather unusual cut of the woman’s front parka flap is also distinctive and can be seen on the WAG example as well. Note also that this woman is shown wearing a skirt or dress underneath her amautiq; this is seen quite commonly in Salluit sculpture, but only rarely in Inukjuak art.


Literature: For similarly styled works by the artist see Darlene Coward Wight, The Jerry Twomey Collection (WAG, 2003), p. 26, also in Bernadette Driscoll, The Inuit Amautik: I Like My Hood To Be Full (Winnipeg Art Gallery, 1980), p. 55; Jean Blodgett, Grasp Tight the Old Ways: Selections from the Klamer Family Collection of Inuit Art (Toronto: Art Gallery of Ontario, 1983), p. 178.


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Provenance

The Quest Gallery, Banff, Alberta; 

Collection of Gordon Cooper; 

Spirit Wrestler Gallery, Vancouver;

Private Collection, Toronto.

Exhibitions


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