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    Open a larger version of the following image in a popup: UNIDENTIFIED MAKER, Raven Rattle, c. 1890-1900
    Open a larger version of the following image in a popup: UNIDENTIFIED MAKER, Raven Rattle, c. 1890-1900
    Open a larger version of the following image in a popup: UNIDENTIFIED MAKER, Raven Rattle, c. 1890-1900
    Open a larger version of the following image in a popup: UNIDENTIFIED MAKER, Raven Rattle, c. 1890-1900
    Open a larger version of the following image in a popup: UNIDENTIFIED MAKER, Raven Rattle, c. 1890-1900
    Open a larger version of the following image in a popup: UNIDENTIFIED MAKER, Raven Rattle, c. 1890-1900

    UNIDENTIFIED MAKER

    Raven Rattle, c. 1890-1900
    polychrome and carved wood, 4.75 x 12.25 x 3.5 in (12.1 x 31.1 x 8.9 cm)
    unsigned.

    LOT 37
    ESTIMATE: $8,000 — $12,000
    PRICE REALIZED: $7,280.00

    Further images

    • (View a larger image of thumbnail 1 ) UNIDENTIFIED ARTIST, GREENLAND, Tupilak, early 1970s
    • (View a larger image of thumbnail 2 ) UNIDENTIFIED ARTIST, GREENLAND, Tupilak, early 1970s
    • (View a larger image of thumbnail 3 ) UNIDENTIFIED ARTIST, GREENLAND, Tupilak, early 1970s
    • (View a larger image of thumbnail 4 ) UNIDENTIFIED ARTIST, GREENLAND, Tupilak, early 1970s
    • (View a larger image of thumbnail 5 ) UNIDENTIFIED ARTIST, GREENLAND, Tupilak, early 1970s
    • (View a larger image of thumbnail 6 ) UNIDENTIFIED ARTIST, GREENLAND, Tupilak, early 1970s
    • Raven Rattle
    Raven rattles as a group are a type of bird-form rattle with traditional subsidiary figures that vary but little between northern Northwest Coast groups. This example contains all the basic...
    Read more

    Raven rattles as a group are a type of bird-form rattle with traditional subsidiary figures that vary but little between northern Northwest Coast groups. This example contains all the basic images regularly seen among raven rattles: a central raven image, a subsidiary figure (usually but not always human) facing upward on the back of the raven, the raven’s tail raised up and featuring a long-beaked bird facing forward, a formline face on the breast of the raven that features a hooked nose, and in some cases a frog appearing between the man’s mouth and the tail-bird’s beak.


    Simultaneously, this rattle exhibits some substantial variations from the most typical forms. The raven’s head, for example, attaches to the neck at the level of the red ‘ears,’ where in older examples the neck meets the back of the head itself. The face on the breast of the raven does not follow the typical formline construction, instead including only the two pairs of ovoids and separate nostrils and lips, without the usual formline joinery between them. The frog is unusually large, and lacks the definition of its legs and feet. The raven’s neck is long, but the body and wings are uncommonly short and not as widely developed as is often the case. Nonetheless this rattle exhibits an established history of use in the patinas of its surface, appearing most often in conjunction with a frontlet headdress and a high-status robe in what is sometimes called the ‘Peace Dance,’ performed at gatherings to demonstrate the peaceful intentions of the ritualists involved.


    Steven C. Brown


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    Provenance

    Ex Collection Denver Art Museum, Denver, CO;
    A New York Collection.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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