This charming print by Pauta Saila is an extremely rare proof, dating from c. 1966-67. So far as we know it has never been documented, and may in fact be the only surviving copy in existence. Stylistically, it belongs to a phase of Pauta’s graphic art that is exceptionally energetic and focused on the presentation of single, large animals. These subjects are composed with strong attention to form and line, and little interest in interior modelling or establishing a sense of context. The image focuses on the emotional bond between the fiercely protective mother and the three fledglings at her feet. Pauta does not opt for sentimentality, but we must admit that it’s hard not to smile at this little owl family. The feeling of whimsy is reinforced by the energetic and slightly wacky plumage, which we read as an essentially ornamental design.

References: Image reproduced in John Bird, “Birdseye View,” The Ottawa Journal, Saturday 23 December 1967, unpaginated, as “Owl and Babies.”