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Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

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Open a larger version of the following image in a popup: Attr: QAQAQ (KAKA) ASHOONA (1928-1996) KINNGAIT (CAPE DORSET), Standing Woman Holding a Kamik, mid 1950s
Open a larger version of the following image in a popup: Attr: QAQAQ (KAKA) ASHOONA (1928-1996) KINNGAIT (CAPE DORSET), Standing Woman Holding a Kamik, mid 1950s
Open a larger version of the following image in a popup: Attr: QAQAQ (KAKA) ASHOONA (1928-1996) KINNGAIT (CAPE DORSET), Standing Woman Holding a Kamik, mid 1950s
Open a larger version of the following image in a popup: Attr: QAQAQ (KAKA) ASHOONA (1928-1996) KINNGAIT (CAPE DORSET), Standing Woman Holding a Kamik, mid 1950s

Attr: QAQAQ (KAKA) ASHOONA (1928-1996) KINNGAIT (CAPE DORSET)

Standing Woman Holding a Kamik, mid 1950s
stone, 10.25 x 5.5 x 3 in (26 x 14 x 7.6 cm)
unsigned.

LOT 82
ESTIMATE: $3,500 — $5,000
PRICE REALIZED: $6,000.00

Further images

  • (View a larger image of thumbnail 1 ), currently selected., currently selected., currently selected. UNIDENTIFIED MAKER, possibly SIOUX, SOUTH DAKOTA, Pipe and Stem, 19th century
  • (View a larger image of thumbnail 2 ) UNIDENTIFIED MAKER, possibly SIOUX, SOUTH DAKOTA, Pipe and Stem, 19th century
  • (View a larger image of thumbnail 3 ) UNIDENTIFIED MAKER, possibly SIOUX, SOUTH DAKOTA, Pipe and Stem, 19th century
  • (View a larger image of thumbnail 4 ) UNIDENTIFIED MAKER, possibly SIOUX, SOUTH DAKOTA, Pipe and Stem, 19th century
  • Standing Woman Holding a Kamik
Two of the foremost Kinngait sculptors of the 1950s were brothers Kiugak (Kiawak) and Qaqaq Ashoona, sons of graphic artist Pitseolak Ashoona. Like their mother, the brothers were both talented...
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Two of the foremost Kinngait sculptors of the 1950s were brothers Kiugak (Kiawak) and Qaqaq Ashoona, sons of graphic artist Pitseolak Ashoona. Like their mother, the brothers were both talented and prolific and we are blessed that they have left behind a significant oeuvre. While most are perhaps more familiar with their “mature” styles of the 1970s and 1980s, their works from the 1950s and early 1960s can be quite spectacular. Although this sculpture is seemingly naive compared to later works by the artist, it is beautifully balanced and harmonious, with an appealing overall shape, remarkably sensitive treatment of the woman’s garments, and a rich variety of textures. Standing Woman Holding a Kamik is a masterpiece of the mid 1950s Kinngait style.

References: For early examples of sculptures attributed to Qaqaq Ashoona see, Canadian Eskimo Arts Council, Sculpture/Inuit: Masterworks of the Canadian Arctic, (Toronto: University of Toronto Press, 1971), cat. 330; Darlene Coward Wight, Early Masters: Inuit Sculpture 1949-1955, (Winnipeg: Winnipeg Art Gallery, 2006), p. 144; Cynthia Waye Cook, Inuit Sculpture In the Collection of the Art Gallery of York University, (North York: AGYU, 1988), cats. 50-54.


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Provenance

Private Collection, Quebec. 
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