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    Open a larger version of the following image in a popup: JOHANESEE KALLUK (1940-1974) KANGIQTUGAAPIK (CLYDE RIVER), Mother and Child, c. 1967-68
    Open a larger version of the following image in a popup: JOHANESEE KALLUK (1940-1974) KANGIQTUGAAPIK (CLYDE RIVER), Mother and Child, c. 1967-68
    Open a larger version of the following image in a popup: JOHANESEE KALLUK (1940-1974) KANGIQTUGAAPIK (CLYDE RIVER), Mother and Child, c. 1967-68
    Open a larger version of the following image in a popup: JOHANESEE KALLUK (1940-1974) KANGIQTUGAAPIK (CLYDE RIVER), Mother and Child, c. 1967-68

    JOHANESEE KALLUK (1940-1974) KANGIQTUGAAPIK (CLYDE RIVER)

    Mother and Child, c. 1967-68
    stone, 6.5 x 6 x 5.5 in (16.5 x 15.2 x 14 cm)
    signed in syllabics and inscribed with disc number, "ᔪᐊᓇᓯ / ᑲᓗ / E-5-346".

    LOT 25
    ESTIMATE: $1,800 — $2,800
    PRICE REALIZED: $1,920.00

    Further images

    • (View a larger image of thumbnail 1 ) UNIDENTIFIED MAKER, possibly SIOUX, SOUTH DAKOTA, Pipe and Stem, 19th century
    • (View a larger image of thumbnail 2 ) UNIDENTIFIED MAKER, possibly SIOUX, SOUTH DAKOTA, Pipe and Stem, 19th century
    • (View a larger image of thumbnail 3 ) UNIDENTIFIED MAKER, possibly SIOUX, SOUTH DAKOTA, Pipe and Stem, 19th century
    • (View a larger image of thumbnail 4 ) UNIDENTIFIED MAKER, possibly SIOUX, SOUTH DAKOTA, Pipe and Stem, 19th century
    • Mother and Child
    Kangiqtugaapik (Clyde River) was somewhat slower than other communities in ramping up artistic production, becoming active only in the mid 1960s. As such, it is not unreasonable to compare these...
    Read more
    Kangiqtugaapik (Clyde River) was somewhat slower than other communities in ramping up artistic production, becoming active only in the mid 1960s. As such, it is not unreasonable to compare these early Clyde River pieces with those produced in Nunavik a decade earlier. Indeed there are numerous details in this wonderful Mother and Child that remind us of the best of Salluit sculptures produced a decade earlier. This is particularly evident in the overall monumentality of the sculpture (despite its relatively modest size), and the drapery-like folds of the woman’s clothing that indicate that she is wearing a dress under her amautiq.

    Reference: For a similar work by the artist see Walker’s Auctions, May 2014, Lot 15.
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    Provenance

    Private Collection, Toronto.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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