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    Open a larger version of the following image in a popup: UNIDENTIFIED SALISH ARTIST, Klickitat or Yakima Burden Basket, late 1800s
    Open a larger version of the following image in a popup: UNIDENTIFIED SALISH ARTIST, Klickitat or Yakima Burden Basket, late 1800s
    Open a larger version of the following image in a popup: UNIDENTIFIED SALISH ARTIST, Klickitat or Yakima Burden Basket, late 1800s
    Open a larger version of the following image in a popup: UNIDENTIFIED SALISH ARTIST, Klickitat or Yakima Burden Basket, late 1800s
    Open a larger version of the following image in a popup: UNIDENTIFIED SALISH ARTIST, Klickitat or Yakima Burden Basket, late 1800s

    UNIDENTIFIED SALISH ARTIST

    Klickitat or Yakima Burden Basket, late 1800s
    split cedar root, bear grass, horsetail root, and hide, 16 x 15.5 x 15.5 (40.6 x 39.4 x 39.4 cm)
    unsigned;
    imbricated with complimentary stepped pyramid and arrowhead designs and rim loops.

    LOT 122
    ESTIMATE: $4,000 — $6,000
    PRICE REALIZED: $2,400.00

    Further images

    • (View a larger image of thumbnail 1 ) TUMIRA ASHOONA (1943-) KINNGAIT (CAPE DORSET), Inukshoo, 1964 (1964/5 #81)
    • (View a larger image of thumbnail 2 ) TUMIRA ASHOONA (1943-) KINNGAIT (CAPE DORSET), Inukshoo, 1964 (1964/5 #81)
    • (View a larger image of thumbnail 3 ) TUMIRA ASHOONA (1943-) KINNGAIT (CAPE DORSET), Inukshoo, 1964 (1964/5 #81)
    • (View a larger image of thumbnail 4 ) TUMIRA ASHOONA (1943-) KINNGAIT (CAPE DORSET), Inukshoo, 1964 (1964/5 #81)
    • (View a larger image of thumbnail 5 ) TUMIRA ASHOONA (1943-) KINNGAIT (CAPE DORSET), Inukshoo, 1964 (1964/5 #81)
    • Klickitat or Yakima Burden Basket
    With its gentle sloping walls and carefully woven loops along the rim, this basket does not immediately show its utilitarian nature. The cone shape of the basket itself allows for...
    Read more

    With its gentle sloping walls and carefully woven loops along the rim, this basket does not immediately show its utilitarian nature. The cone shape of the basket itself allows for the weight of multiple gallons of huckleberries to be distributed so that the berries on the bottom are not being crushed by those on top. When the basket was full, it could be left in the shade of a tree with a few leafy branches interlaced through the loops on the rim to prevent the berries from drying out while harvesting continued. The mosaic tile-like decoration reveals an artistic hand, with the bold geometric pattern imbricated throughout the body of the basket.


    References: For a detailed introduction to Klickitat baskets see Sarah Peabody Turnbaugh & William A.Turnbaugh, Indian Baskets, (Pennsylvania: Schiffer Publishing Ltd. in collaboration with the Peabody Museum of Archaeology and Ethnology, Harvard University), 1986, p. 165-166. For a similar example of the triangulated pattern, see Richard Conn, Native American Art in The Denver Art Museum, (Seattle: Denver Art Museum/University of Washington Press, 1979), fig. 335, p. 249.


    Close full details

    Provenance

    Bonham’s Auction, 5 December 2016, Lot 303;

    A Vancouver Collection.


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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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