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  • Open a larger version of the following image in a popup: SHEOJUK ETIDLOOIE (1932-1999) KINNGAIT (CAPE DORSET), Kiinanguaq (Like a Face), 1997 #32
    Open a larger version of the following image in a popup: SHEOJUK ETIDLOOIE (1932-1999) KINNGAIT (CAPE DORSET), Kiinanguaq (Like a Face), 1997 #32
    Open a larger version of the following image in a popup: SHEOJUK ETIDLOOIE (1932-1999) KINNGAIT (CAPE DORSET), Kiinanguaq (Like a Face), 1997 #32

    SHEOJUK ETIDLOOIE (1932-1999) KINNGAIT (CAPE DORSET)

    Kiinanguaq (Like a Face), 1997 #32
    Printmaker: STUDIO PM, Montreal
    etching and aquatint, sheet, sight 18.25 x 17 in (46.4 x 43.2 cm), plate 11.5 x 11.5 in (29.2 x 29.2 cm)
    20/50
    LOT 13
    ESTIMATE: $800 — $1,200
    $ 1,400.00

    Further images

    • (View a larger image of thumbnail 1 ) SHEOJUK ETIDLOOIE (1932-1999) KINNGAIT (CAPE DORSET), Kiinanguaq (Like a Face), 1997 #32
    • (View a larger image of thumbnail 2 ) SHEOJUK ETIDLOOIE (1932-1999) KINNGAIT (CAPE DORSET), Kiinanguaq (Like a Face), 1997 #32
    • (View a larger image of thumbnail 3 ) SHEOJUK ETIDLOOIE (1932-1999) KINNGAIT (CAPE DORSET), Kiinanguaq (Like a Face), 1997 #32
    View on a Wall
    In a banner year for Sheojuk Etidlooie, Kiinanguaq (Like a Face) was one of nine of her images selected for the 1997 Annual Print Collection. Five of her contributions that...
    Read more

    In a banner year for Sheojuk Etidlooie, Kiinanguaq (Like a Face) was one of nine of her images selected for the 1997 Annual Print Collection. Five of her contributions that year were etching and aquatint, a process that suited her way of building an image through soft bands of tone and controlled depth.


    Working in close collaboration, Paul Machnik introduced steel plates that could hold a broader range of tonal passages than the copper plates then common in the studio. He also applied colour directly onto the plate, so that when the paper was laid down and run through the press, light seems to bloom from within the forms, with colour settling into the image as a stain, not a surface.


    Kiinanguaq
    has a texture that can fool the viewer into thinking this print could be a multi-media work, the layers of subtle shading providing a wonderful illusion of light and shadow.
    Close full details

    Provenance

    Like many of Sheojuk’s drawings and prints, Kiinanguaq is a deceptively simple image. Brilliantly printed by Studio PM in Montreal, the work is enigmatic as well. Below the abstracted and boldly executed image of a bird (almost certainly an owl), is the much smaller and fainter face of what might be a young human child. The work brings to mind the charming sculptures of another beloved Cape Dorset artist, Latcholassie Akesuk, whose stone depictions of owls and owl-people are well-known to collectors.


    Inquire
    %3Cdiv%20class%3D%22artist%22%3ESHEOJUK%20ETIDLOOIE%20%281932-1999%29%20KINNGAIT%20%28CAPE%20DORSET%29%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EKiinanguaq%20%28Like%20a%20Face%29%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1997%20%2332%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3EPrintmaker%3A%20STUDIO%20PM%2C%20Montreal%3Cbr/%3E%0Aetching%20and%20aquatint%2C%20sheet%2C%20sight%2018.25%20x%2017%20in%20%2846.4%20x%2043.2%20cm%29%2C%20plate%2011.5%20x%2011.5%20in%20%2829.2%20x%2029.2%20cm%29%3Cbr/%3E%0A20/50%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ELOT%2013%3Cbr/%3E%0AESTIMATE%3A%20%24800%20%E2%80%94%20%241%2C200%3C/div%3E
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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