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    Open a larger version of the following image in a popup: TUDLIK (1890-1966) KINNGAIT (CAPE DORSET), Owl, c. 1959-60
    Open a larger version of the following image in a popup: TUDLIK (1890-1966) KINNGAIT (CAPE DORSET), Owl, c. 1959-60
    Open a larger version of the following image in a popup: TUDLIK (1890-1966) KINNGAIT (CAPE DORSET), Owl, c. 1959-60
    Open a larger version of the following image in a popup: TUDLIK (1890-1966) KINNGAIT (CAPE DORSET), Owl, c. 1959-60
    Open a larger version of the following image in a popup: TUDLIK (1890-1966) KINNGAIT (CAPE DORSET), Owl, c. 1959-60

    TUDLIK (1890-1966) KINNGAIT (CAPE DORSET)

    Owl, c. 1959-60
    stone, 2 x 4.25 x 1.25 in (5.1 x 10.8 x 3.2 cm)
    unsigned.
    LOT 165
    ESTIMATE: $2,000 — $3,000
    PRICE REALIZED: $5,040.00

    Further images

    • (View a larger image of thumbnail 1 ) LUCY TASSEOR TUTSWEETOK (1934-2012) ARVIAT (ESKIMO POINT), Mother and Child, late 1990s
    • (View a larger image of thumbnail 2 ) LUCY TASSEOR TUTSWEETOK (1934-2012) ARVIAT (ESKIMO POINT), Mother and Child, late 1990s
    • (View a larger image of thumbnail 3 ) LUCY TASSEOR TUTSWEETOK (1934-2012) ARVIAT (ESKIMO POINT), Mother and Child, late 1990s
    • (View a larger image of thumbnail 4 ) LUCY TASSEOR TUTSWEETOK (1934-2012) ARVIAT (ESKIMO POINT), Mother and Child, late 1990s
    • (View a larger image of thumbnail 5 ) LUCY TASSEOR TUTSWEETOK (1934-2012) ARVIAT (ESKIMO POINT), Mother and Child, late 1990s
    • Owl
    Tudlik moved to the Cape Dorset area in the early 1950s and immediately became one of the first local Inuit to carve for James Houston. Tudlik carved a variety of...
    Read more

    Tudlik moved to the Cape Dorset area in the early 1950s and immediately became one of the first local Inuit to carve for James Houston. Tudlik carved a variety of animal subjects but is best remembered for his depictions of birds, especially owls. Carved in the lovely green stone found near Cape Dorset in the late 1950s, this charming Owl is interesting for its sense of implied movement. Its forward lean suggests that it is alighting or perhaps swooping towards its prey. Tudlik briefly became an important graphic artist, authoring several of the most famous early Cape Dorset print images, but failing eyesight put an end to his art career by about 1961. His sons Latcholassie (Lot 166) and Tigullaraq (Lot 3) became respected artists as well.


    References: For owls by Tudlik see George Swinton, Eskimo Sculpture, (Toronto: McClelland & Stewart, 1965), p. 85; George Swinton, Sculpture of the Inuit, (Toronto: McClelland & Stewart, 1972/92), figs. 6, 441, 445, 451, 471; Canadian Eskimo Arts Council, Sculpture / Inuit: Masterworks of the Canadian Arctic, (Toronto: University of Toronto Press, 1971), cats. 196, 199, 204. Also see First Arts Auction, 14 June 2022, Lot 11.
    Close full details

    Provenance

    Private Collection;
    Waddington’s Auctions, Toronto, Nov. 2001, Lot 338;
    Private Collection, Santa Fe, NM.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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