This impressively large walrus tusk provides quite the expanse for Joe Kakarook to create upon, and while the temptation would be to fill it, he has carefully selected scenes to highlight. On the one, more rounded, side of the tusk, we find finely detailed scenes of hunting on the land and sea that have a subtle depth of field to add realism. There are playful elements here too: a seal pops his head out from behind a kayak, unseen by the hunter poised with his spear; a frustrated hunter stares angrily at a breathing hole while his dog watches, bored at the lack of proceedings. On the flatter side of the tusk, we are treated to a beautiful illustration of Saint Michael’s townscape and shoreline, the water frozen over so that a few dog teams can make their way across the ice. The view is expansive and panoramic, with details taken as far to the edge as possible. At the bottom edge, three fish complete the engraved embellishment of this remarkable work.

Joe Kakarook and his brother Willie learned the art of pictorial engraving from their father, Guy. The family name was variously spelled, and Joe and Willie were apparently given the last name Austin later in life. Joe Kakarook’s work is exceptionally fine and has on occasion been attributed to the more famous artist Angokwazhuk (Happy Jack). Kakarook occasionally worked on an even larger scale, engraving scenes on mastodon tusks.