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    Open a larger version of the following image in a popup: EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Mother and Child in a Beaded Amautiq, c. 1990-91
    Open a larger version of the following image in a popup: EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Mother and Child in a Beaded Amautiq, c. 1990-91
    Open a larger version of the following image in a popup: EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Mother and Child in a Beaded Amautiq, c. 1990-91
    Open a larger version of the following image in a popup: EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Mother and Child in a Beaded Amautiq, c. 1990-91
    Open a larger version of the following image in a popup: EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Mother and Child in a Beaded Amautiq, c. 1990-91

    EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT)

    Mother and Child in a Beaded Amautiq, c. 1990-91
    stone, glass beads, felt, and thread, 4.5 x 3 x 3 in (11.4 x 7.6 x 7.6 cm)
    signed, “EVA”.
    LOT 129
    ESTIMATE: $1,200 — $1,800
    PRICE REALIZED: $1,020.00

    Further images

    • (View a larger image of thumbnail 1 ) LUCY TASSEOR TUTSWEETOK (1934-2012) ARVIAT (ESKIMO POINT), Mother and Child, late 1990s
    • (View a larger image of thumbnail 2 ) LUCY TASSEOR TUTSWEETOK (1934-2012) ARVIAT (ESKIMO POINT), Mother and Child, late 1990s
    • (View a larger image of thumbnail 3 ) LUCY TASSEOR TUTSWEETOK (1934-2012) ARVIAT (ESKIMO POINT), Mother and Child, late 1990s
    • (View a larger image of thumbnail 4 ) LUCY TASSEOR TUTSWEETOK (1934-2012) ARVIAT (ESKIMO POINT), Mother and Child, late 1990s
    • (View a larger image of thumbnail 5 ) LUCY TASSEOR TUTSWEETOK (1934-2012) ARVIAT (ESKIMO POINT), Mother and Child, late 1990s
    • Mother and Child in a Beaded Amautiq
    More than any other Arviat sculptor, Eva Talooki used glass beads to embellish her stone and antler carvings. Mostly she fashioned simple strands to decorate her works (see Lot 42),...
    Read more

    More than any other Arviat sculptor, Eva Talooki used glass beads to embellish her stone and antler carvings. Mostly she fashioned simple strands to decorate her works (see Lot 42), but occasionally she sheathed her figures in densely sewn beadwork garments. Here the artist fashioned a beadwork replica of a traditional Kivalliq Region beadwork amautiq, complete with fringe. Because the sculpture is relatively small and the beads relatively large, the effect is almost disorienting. It is almost as if Talooki has created a fetish-like doll invested with some sort of supernatural potency. It’s a fascinating and quite powerful little sculpture.


    References: For a selection of fine works by the artist see Ingo Hessel, Arctic Spirit: Inuit Art from the Albrecht Collection at the Heard Museum, (Vancouver: Douglas & McIntyre / Phoenix: Heard Museum, 2006), cats. 151, 152. See the article by Dorothy Harley Eber, “Eva Talooki: Her Tribute to Seed Beads, Long-time Jewels of the Arctic” in Inuit Art Quarterly (Vol. 19, No. 1, Spring 2004), pp. 12-17.
    Close full details

    Provenance

    Marion Scott Gallery, Vancouver; 

    Private Collection, California.


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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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