The great Kitikmeot sculptors Karoo Ashevak, Judas Ullulaq, Charlie Ugyuk and their peers were all greatly influenced and inspired by the original shapes and textures of whalebone, which is probably the most naturally evocative carving material in the world. This particular piece of bone – probably a section of skull – inspired Ugyuk to create one of his most impressive compositions.

Earlier in the catalogue (see Lot 34) we discussed how the predetermined shapes of whale bone can lend itself to repetition of imagery. But not in the hands of artistic geniuses; it is interesting to compare this wonderful Ugyuk sculpture with the equally impressive Shaman Riding a Spirit by his brother Judas Ullulaq (see First Arts 1 Dec. 2020, Lot 69). Whereas Ullulaq worked within the confines of the existing bone, Ugyuk opted to graft onto the main bone two formidable and grotesque claw-like hands. The Ullulaq sculpture deals with very similar subject matter but has a positively benign appearance compared to this work. Ugyuk’s Demon is without a doubt a malevolent entity, poised to wreak havoc.

Shamanic and demonic imagery dominated Ugyuk’s art for many years (see Lot 121 for an example in stone). Female Demon with Young is quite close in style to Ugyuk’s similarly impressive whale bone Flying Shaman from 1995, exhibited in Darlene Wight’s Art & Expression of the Netsilik exhibition at the WAG (cat. 102, p. 104). The two works share not only their overall demonic appearance but also especially their powerful muscularity. In our example the main figure depicts a fierce winged demon sporting frightful horns, fangs, pincers, and claws. The work would be entirely disturbing were it not for one important detail, nestled behind the demon’s head. It is a flash of humour often associated with Ullulaq but seldom, if ever, with Ugyuk: a truly adorable baby demon! So we must re-evaluate; this astounding sculpture is both horrific and delightful!