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    Open a larger version of the following image in a popup: MERVYN CHILD HUNT (1955-) KWAKWA̱KA̱ʼWAKW, Kwagu'ł Sisiuł, 2002
    Open a larger version of the following image in a popup: MERVYN CHILD HUNT (1955-) KWAKWA̱KA̱ʼWAKW, Kwagu'ł Sisiuł, 2002
    Open a larger version of the following image in a popup: MERVYN CHILD HUNT (1955-) KWAKWA̱KA̱ʼWAKW, Kwagu'ł Sisiuł, 2002
    Open a larger version of the following image in a popup: MERVYN CHILD HUNT (1955-) KWAKWA̱KA̱ʼWAKW, Kwagu'ł Sisiuł, 2002
    Open a larger version of the following image in a popup: MERVYN CHILD HUNT (1955-) KWAKWA̱KA̱ʼWAKW, Kwagu'ł Sisiuł, 2002

    MERVYN CHILD HUNT (1955-) KWAKWA̱KA̱ʼWAKW

    Kwagu'ł Sisiuł, 2002
    cedar, cedar bark, acrylic paint and copper, 19.25 x 73.25 x 9.5 in (48.9 x 186.1 x 24.1 cm)
    titled, signed, and dated, "KWAGUʼŁ / SISI'UŁ / Mervyn Child / 2002".
    LOT 113
    ESTIMATE: $4,000 — $6,000
    PRICE REALIZED: $6,000.00
    A world record price for the artist at auction.

    Further images

    • (View a larger image of thumbnail 1 ) TOONOO SHARKY (1970-) KINNGAIT (CAPE DORSET), Alighting Bird, 2001
    • (View a larger image of thumbnail 2 ) TOONOO SHARKY (1970-) KINNGAIT (CAPE DORSET), Alighting Bird, 2001
    • (View a larger image of thumbnail 3 ) TOONOO SHARKY (1970-) KINNGAIT (CAPE DORSET), Alighting Bird, 2001
    • (View a larger image of thumbnail 4 ) TOONOO SHARKY (1970-) KINNGAIT (CAPE DORSET), Alighting Bird, 2001
    • (View a larger image of thumbnail 5 ) TOONOO SHARKY (1970-) KINNGAIT (CAPE DORSET), Alighting Bird, 2001
    Mervyn Childs continues to live in his home village of T’sakis / Fort Rupert and to work in the Copper Maker Studio and gallery created by his uncle, Calvin Hunt....
    Read more

    Mervyn Childs continues to live in his home village of T’sakis / Fort Rupert and to work in the Copper Maker Studio and gallery created by his uncle, Calvin Hunt. He is an active cultural performer, teacher, and artist.


    The Sisuitl was often depicted in large panels installed in ceremonial longhouses. This supernatural creature had two heads with a central human form, with supernatural horns flanked by human hands, representing the possession of the supernatural power held by the Sisuitl. The Sisuitl is often associated with power crossing from the natural to the human world, with the ability to protect and heal, and it is therefore associated with shamanic rituals.


    Gary Wyatt

    References: For a Sisiutl mask by Charlie James see Peter L. Macnair, Alan L. Hoover, & Kevin Neary, The Legacy: Tradition and Innovation in Northwest Coast Indian Art, (Vancouver: Douglas & MacIntyre: Vancouver, 1984), p. 72. See also Audrey Hawthorn, Kwakiutl Art, (Vancouver: Douglas & McIntyre, 1988), pp. 125-126.
    Close full details

    Provenance

    Gallery Indigena, Stratford, Ontario;
    Acquired from the above by the present Private Collection, 16 April 2004, accompanied by a copy of the receipt. 
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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