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    Open a larger version of the following image in a popup: ENNUTSIAK (1893-1967) IQALUIT (FROBISHER BAY), Muskox, c. 1960-62
    Open a larger version of the following image in a popup: ENNUTSIAK (1893-1967) IQALUIT (FROBISHER BAY), Muskox, c. 1960-62
    Open a larger version of the following image in a popup: ENNUTSIAK (1893-1967) IQALUIT (FROBISHER BAY), Muskox, c. 1960-62
    Open a larger version of the following image in a popup: ENNUTSIAK (1893-1967) IQALUIT (FROBISHER BAY), Muskox, c. 1960-62
    Open a larger version of the following image in a popup: ENNUTSIAK (1893-1967) IQALUIT (FROBISHER BAY), Muskox, c. 1960-62

    ENNUTSIAK (1893-1967) IQALUIT (FROBISHER BAY)

    Muskox, c. 1960-62
    stone and antler, 3 x 5 x 2.25 in (7.6 x 12.7 x 5.7 cm)
    inscribed with artist's disc number, "E7-603".
    LOT 125
    ESTIMATE: $1,200 — $1,800
    PRICE REALIZED: $5,040.00

    Further images

    • (View a larger image of thumbnail 1 ) TOONOO SHARKY (1970-) KINNGAIT (CAPE DORSET), Alighting Bird, 2001
    • (View a larger image of thumbnail 2 ) TOONOO SHARKY (1970-) KINNGAIT (CAPE DORSET), Alighting Bird, 2001
    • (View a larger image of thumbnail 3 ) TOONOO SHARKY (1970-) KINNGAIT (CAPE DORSET), Alighting Bird, 2001
    • (View a larger image of thumbnail 4 ) TOONOO SHARKY (1970-) KINNGAIT (CAPE DORSET), Alighting Bird, 2001
    • (View a larger image of thumbnail 5 ) TOONOO SHARKY (1970-) KINNGAIT (CAPE DORSET), Alighting Bird, 2001
    We’ve long wondered why sculptures of muskoxen are so prevalent in both Cape Dorset and Iqaluit, particularly as the muskox has not been native to Baffin Island for some time....
    Read more

    We’ve long wondered why sculptures of muskoxen are so prevalent in both Cape Dorset and Iqaluit, particularly as the muskox has not been native to Baffin Island for some time. Did Inuit hunters encounter muskoxen during extended hunting voyages, or had the animal attained mythological properties in oral histories?


    Perhaps the most prolific and best-known purveyors of the muskox in sculpted form were members of the Ipellie family: Nuveeya (1920-2010); his son Seepee (1940-2000); and his grandson Jomie (1963-2020). The patriarch of the Ipellie clan was none other than Ennutsiak who migrated to Baffin Island from Nunavik as a young man. However, while there is now a muskox herd in Nunavik, this was only the result of a reintroduction programme which began around 1967, the year of Ennutsiak’s death. Regardless of where the artist got the inspiration to carve this absolutely charming ovibos moschatus, could this sculpture potentially be the piece that kicked off a family industry which lasted for generations? Curiously, despite the abundance of muskoxen carved by his progeny, we cannot recall ever having seen another by great-grandfather Ennutsiak!


    References: For important works by the artist see First Arts Auction, May 2019, Lot 40; 14 June 2022, Lot 8. For other works by the artist see Maria von Finckenstein ed., Celebrating Inuit Art 1948-1970, (Gatineau: Canadian Museum of Civilization, 1999) pp. 131-133.
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    Provenance

    An Ottawa Collection.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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