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    Open a larger version of the following image in a popup: ANDY MIKI (1918-1983) ARVIAT/TIKIRAQJUAQ (ESKIMO POINT/WHALE COVE), Resting Seal, c. 1965-68
    Open a larger version of the following image in a popup: ANDY MIKI (1918-1983) ARVIAT/TIKIRAQJUAQ (ESKIMO POINT/WHALE COVE), Resting Seal, c. 1965-68
    Open a larger version of the following image in a popup: ANDY MIKI (1918-1983) ARVIAT/TIKIRAQJUAQ (ESKIMO POINT/WHALE COVE), Resting Seal, c. 1965-68
    Open a larger version of the following image in a popup: ANDY MIKI (1918-1983) ARVIAT/TIKIRAQJUAQ (ESKIMO POINT/WHALE COVE), Resting Seal, c. 1965-68
    Open a larger version of the following image in a popup: ANDY MIKI (1918-1983) ARVIAT/TIKIRAQJUAQ (ESKIMO POINT/WHALE COVE), Resting Seal, c. 1965-68

    ANDY MIKI (1918-1983) ARVIAT/TIKIRAQJUAQ (ESKIMO POINT/WHALE COVE)

    Resting Seal, c. 1965-68
    stone, 4.25 x 6.5 x 4.5 in (10.8 x 16.5 x 11.4 cm)
    signed, "ᒥᑭ".
    LOT 102
    ESTIMATE: $3,500 — $5,000

    Further images

    • (View a larger image of thumbnail 1 ) TOONOO SHARKY (1970-) KINNGAIT (CAPE DORSET), Alighting Bird, 2001
    • (View a larger image of thumbnail 2 ) TOONOO SHARKY (1970-) KINNGAIT (CAPE DORSET), Alighting Bird, 2001
    • (View a larger image of thumbnail 3 ) TOONOO SHARKY (1970-) KINNGAIT (CAPE DORSET), Alighting Bird, 2001
    • (View a larger image of thumbnail 4 ) TOONOO SHARKY (1970-) KINNGAIT (CAPE DORSET), Alighting Bird, 2001
    • (View a larger image of thumbnail 5 ) TOONOO SHARKY (1970-) KINNGAIT (CAPE DORSET), Alighting Bird, 2001
    • Resting Seal
    This work is a stellar example of Andy Miki’s carving style from the mid 1960s, when he was still living in Whale Cove. The Whale Cove works are known for...
    Read more
    This work is a stellar example of Andy Miki’s carving style from the mid 1960s, when he was still living in Whale Cove. The Whale Cove works are known for their degree of naturalism. Miki’s emphasis in those years was still largely on animal form and movement rather than radical abstraction; he gave us more tantalizingly realistic hints, even if we cannot consequently identify a species of animal precisely. This elegant and captivating Reclining Animal is probably either a caribou or seal. Miki’s background was inland Caribou Inuit, but he was living along the coast in Whale Cove, so either guess seems perfectly plausible. Lovely.

    References: For a slightly different take on a reclining animal by the artist, First Arts, Toronto, 12 July 2020, Lot 115; Gerald McMaster ed., Inuit Modern, (Toronto: AGO, 2010), p. 135; see also Marion Scott Gallery, Inspiration (Vancouver: 1996) cat. 29. For stylistically related works see Norman Zepp, Pure Vision, (Norman Mackenzie Art Gallery, 1986), cat. 16; For other examples by the artist from his Whale Cove years see First Arts, 12 July 2020, Lot 60; 13 July 2021, Lot 60. Also see Walker's Auctions, Ottawa, 16 November 2016, Lot 50 (rough, with notches); 18 May 2017, Lot 255 (overall form).
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    Provenance

    A British Columbia Collection.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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