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    Open a larger version of the following image in a popup: PETER SEVOGA (1940-2007), QAMANI’TUAQ (BAKER LAKE), Seated Man with Raised Hands, 1968
    Open a larger version of the following image in a popup: PETER SEVOGA (1940-2007), QAMANI’TUAQ (BAKER LAKE), Seated Man with Raised Hands, 1968
    Open a larger version of the following image in a popup: PETER SEVOGA (1940-2007), QAMANI’TUAQ (BAKER LAKE), Seated Man with Raised Hands, 1968
    Open a larger version of the following image in a popup: PETER SEVOGA (1940-2007), QAMANI’TUAQ (BAKER LAKE), Seated Man with Raised Hands, 1968
    Open a larger version of the following image in a popup: PETER SEVOGA (1940-2007), QAMANI’TUAQ (BAKER LAKE), Seated Man with Raised Hands, 1968

    PETER SEVOGA (1940-2007), QAMANI’TUAQ (BAKER LAKE)

    Seated Man with Raised Hands, 1968
    stone, 10 x 6.25 x 4 in (25.4 x 15.9 x 10.2 cm)
    inscribed with a disc number, "E.7642" (not the artist's).
    Lot 19
    ESTIMATE: $3,000 — $5,000
    PRICE REALIZED: $2,880.00

    Further images

    • (View a larger image of thumbnail 1 ) ELIZABETH NUTARAALUK AULATJUT (1914-1998) ARVIAT (ESKIMO POINT), Kayaker and Owl, c. late 1960s
    • (View a larger image of thumbnail 2 ) ELIZABETH NUTARAALUK AULATJUT (1914-1998) ARVIAT (ESKIMO POINT), Kayaker and Owl, c. late 1960s
    • (View a larger image of thumbnail 3 ) ELIZABETH NUTARAALUK AULATJUT (1914-1998) ARVIAT (ESKIMO POINT), Kayaker and Owl, c. late 1960s
    • (View a larger image of thumbnail 4 ) ELIZABETH NUTARAALUK AULATJUT (1914-1998) ARVIAT (ESKIMO POINT), Kayaker and Owl, c. late 1960s
    • (View a larger image of thumbnail 5 ) ELIZABETH NUTARAALUK AULATJUT (1914-1998) ARVIAT (ESKIMO POINT), Kayaker and Owl, c. late 1960s
    • Seated Man with Raised Hands
    Although Peter Sevoga began carving in the 1960s when still in his twenties, there are few documented works from that decade. Not represented in the 1971 Sculpture/Inuit catalogue or in...
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    Although Peter Sevoga began carving in the 1960s when still in his twenties, there are few documented works from that decade. Not represented in the 1971 Sculpture/Inuit catalogue or in George Swinton’s 1972 book Sculpture of the Eskimo, Sevoga’s career blossomed immediately thereafter, and he is now considered one of the truly great Baker Lake sculptors. His particular genius was the ability to create stone sculptures that are massive yet delicately balanced and elegantly modelled and finished. Man with Raised Hands from 1968 is the perfect harbinger of that style; here the clothed human figure is carved with beautifully rounded but not exaggerated proportions, while the carefully poised arms end in small, elegant hands, matching the man’s delicate facial features. This refined, naturalistic figure makes a fascinating contrast with John Pangnark’s abstract Woman with Raised Arms (see previous Lot).
    Close full details

    Provenance

    Collection of M.F. (Budd) Feheley, Toronto;
    Feheley Fine Arts, Toronto;
    Collection of John and Joyce Price, Seattle.

    Publications

    Feheley Fine Arts, Toronto, The Discreet Collector, June 2002; catalogue no. 26.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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