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    Open a larger version of the following image in a popup: ANDY MIKI (1918-1983) ARVIAT (ESKIMO POINT), Resting Bird, c. 1968-70
    Open a larger version of the following image in a popup: ANDY MIKI (1918-1983) ARVIAT (ESKIMO POINT), Resting Bird, c. 1968-70
    Open a larger version of the following image in a popup: ANDY MIKI (1918-1983) ARVIAT (ESKIMO POINT), Resting Bird, c. 1968-70
    Open a larger version of the following image in a popup: ANDY MIKI (1918-1983) ARVIAT (ESKIMO POINT), Resting Bird, c. 1968-70

    ANDY MIKI (1918-1983) ARVIAT (ESKIMO POINT)

    Resting Bird, c. 1968-70
    stone, 2.25 x 6.25 x 1.5 in (5.7 x 15.9 x 3.8 cm)
    signed: disc number and "ᒥᑭ".
    Lot 134
    ESTIMATE: $1,800 — $2,800
    PRICE REALIZED: $1,800.00

    Further images

    • (View a larger image of thumbnail 1 ) ELIZABETH NUTARAALUK AULATJUT (1914-1998) ARVIAT (ESKIMO POINT), Kayaker and Owl, c. late 1960s
    • (View a larger image of thumbnail 2 ) ELIZABETH NUTARAALUK AULATJUT (1914-1998) ARVIAT (ESKIMO POINT), Kayaker and Owl, c. late 1960s
    • (View a larger image of thumbnail 3 ) ELIZABETH NUTARAALUK AULATJUT (1914-1998) ARVIAT (ESKIMO POINT), Kayaker and Owl, c. late 1960s
    • (View a larger image of thumbnail 4 ) ELIZABETH NUTARAALUK AULATJUT (1914-1998) ARVIAT (ESKIMO POINT), Kayaker and Owl, c. late 1960s
    • Resting Bird
    While many of Miki’s depictions of fauna are abstracted almost to the point where identification of species is difficult if not impossible, his sculptures of birds seem to be the...
    Read more
    While many of Miki’s depictions of fauna are abstracted almost to the point where identification of species is difficult if not impossible, his sculptures of birds seem to be the exception to the rule. This wonderful Resting Bird is a nice counterpoint to his Bird in Flight from our July 2020 sale (Lot 3). Rather than depicted with wings extended, this charming creature is shown in comfortable repose. These two works, along with Animal from c. 1969 (see Zepp, Pure Vision, cat. 9) feature pedestal-like bases which are seamlessly integrated into the composition. There is a purity of line in Resting Bird that gives the sculpture a sense of casual elegance.

    References: For a contemporaneous and similarly balanced figure of an animal by Miki see Norman Zepp, Pure Vision: The Keewatin Spirit (Regina: Norman Mackenzie Art Gallery, 1986), cat. 9, p. 67. For other birds in the same catalogue see cats. 6, 7, 12.
    Close full details

    Provenance

    Waddington's, Toronto, November 2015, Lot 38;
    Acquired from the above Norman Zepp & Judith Varga, Saskatoon, SK.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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