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    Open a larger version of the following image in a popup: LATCHOLASSIE AKESUK (1919-2000) KINNGAIT (CAPE DORSET), Mother Owl and Chick, c. 1970
    Open a larger version of the following image in a popup: LATCHOLASSIE AKESUK (1919-2000) KINNGAIT (CAPE DORSET), Mother Owl and Chick, c. 1970
    Open a larger version of the following image in a popup: LATCHOLASSIE AKESUK (1919-2000) KINNGAIT (CAPE DORSET), Mother Owl and Chick, c. 1970
    Open a larger version of the following image in a popup: LATCHOLASSIE AKESUK (1919-2000) KINNGAIT (CAPE DORSET), Mother Owl and Chick, c. 1970
    Open a larger version of the following image in a popup: LATCHOLASSIE AKESUK (1919-2000) KINNGAIT (CAPE DORSET), Mother Owl and Chick, c. 1970
    Open a larger version of the following image in a popup: LATCHOLASSIE AKESUK (1919-2000) KINNGAIT (CAPE DORSET), Mother Owl and Chick, c. 1970

    LATCHOLASSIE AKESUK (1919-2000) KINNGAIT (CAPE DORSET)

    Mother Owl and Chick, c. 1970
    stone, 3.75 x 6 x 4.5 in (9.5 x 15.2 x 11.4 cm)
    unsigned.
    LOT 101
    ESTIMATE: $2,000 — $3,000
    PRICE REALIZED: $7,930.00

    Further images

    • (View a larger image of thumbnail 1 ) HISTORIC PERIOD INUIT ARTIST, EASTERN CANADIAN ARCTIC, Whistle, 1935 or earlier
    • (View a larger image of thumbnail 2 ) HISTORIC PERIOD INUIT ARTIST, EASTERN CANADIAN ARCTIC, Whistle, 1935 or earlier
    • (View a larger image of thumbnail 3 ) HISTORIC PERIOD INUIT ARTIST, EASTERN CANADIAN ARCTIC, Whistle, 1935 or earlier
    • (View a larger image of thumbnail 4 ) HISTORIC PERIOD INUIT ARTIST, EASTERN CANADIAN ARCTIC, Whistle, 1935 or earlier
    • (View a larger image of thumbnail 5 ) HISTORIC PERIOD INUIT ARTIST, EASTERN CANADIAN ARCTIC, Whistle, 1935 or earlier
    • (View a larger image of thumbnail 6 ) HISTORIC PERIOD INUIT ARTIST, EASTERN CANADIAN ARCTIC, Whistle, 1935 or earlier
    • Mother Owl and Chick
    View on a Wall
    The son of the late great Tudlik (1890-1966), Latcholassie apprenticed at the feet of one of the most beloved first-generation Cape Dorset sculptors. Latcholassie inherited not only his father’s skill...
    Read more

    The son of the late great Tudlik (1890-1966), Latcholassie apprenticed at the feet of one of the most beloved first-generation Cape Dorset sculptors. Latcholassie inherited not only his father’s skill but also his love of owls. As Jean Blodgett eloquently writes, “On the one hand Latcholassie tends to concentrate on the basic shape and configuration of his form, doing little detail work or surface decoration… On the other hand, even within these restrictions, Latcholassie’s presentation of his bird subjects is richly varied. By changes in such things as size, proportion, position, and attributes, he imbues his bird subjects with individuality and character.” [1] This charming sculpture has an interesting visual tension, and we love the endearing expressions of both mother and chick.


    1. Jean Blodgett, Selections from The John and Mary Robertson Collection of Inuit Sculpture, (Kingston: Agnes Etherington Art Centre, 1986), p. 35.

    References: For classic works by the artist see George Swinton, Sculpture of the Inuit, (Toronto: M&S, 1972/92), figs. 469-475; Canadian Eskimo Arts Council, Sculpture/Inuit, (University of Toronto Press, 1971) cats. 189, 192-194; Jean Blodgett, Grasp Tight the Old Ways: Selections from the Klamer Family Collection of Inuit Art, (Toronto: Art Gallery of Ontario), cats. 64-65.
    Close full details

    Provenance

    Collection of John and Joyce Price, Seattle.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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