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    Open a larger version of the following image in a popup: JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Head, c. 1967
    Open a larger version of the following image in a popup: JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Head, c. 1967
    Open a larger version of the following image in a popup: JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Head, c. 1967
    Open a larger version of the following image in a popup: JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Head, c. 1967
    Open a larger version of the following image in a popup: JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Head, c. 1967

    JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET)

    Head, c. 1967
    stone, 4.5 x 4.75 x 3 in (11.4 x 12.1 x 7.6 cm)
    signed, "ᑎᑕ".
    LOT 10
    ESTIMATE: $5,000 — $8,000
    PRICE REALIZED: $6,100.00

    Further images

    • (View a larger image of thumbnail 1 ) HISTORIC PERIOD INUIT ARTIST, EASTERN CANADIAN ARCTIC, Whistle, 1935 or earlier
    • (View a larger image of thumbnail 2 ) HISTORIC PERIOD INUIT ARTIST, EASTERN CANADIAN ARCTIC, Whistle, 1935 or earlier
    • (View a larger image of thumbnail 3 ) HISTORIC PERIOD INUIT ARTIST, EASTERN CANADIAN ARCTIC, Whistle, 1935 or earlier
    • (View a larger image of thumbnail 4 ) HISTORIC PERIOD INUIT ARTIST, EASTERN CANADIAN ARCTIC, Whistle, 1935 or earlier
    • (View a larger image of thumbnail 5 ) HISTORIC PERIOD INUIT ARTIST, EASTERN CANADIAN ARCTIC, Whistle, 1935 or earlier
    • Head
    When we look closely at the faces of Tiktak’s works carved throughout the 1960s, we realize that their styles evolved considerably during that decade. The faces of Tiktak’s earliest works...
    Read more

    When we look closely at the faces of Tiktak’s works carved throughout the 1960s, we realize that their styles evolved considerably during that decade. The faces of Tiktak’s earliest works have features that are slight and simplified. By the late 1960s Tiktak was gouging raw facial features with electric drill bits. The most refined heads and faces date from mid-decade. This fine small Head presents a placid, almost mask-like carved face resembling that of a large standing figure once owned by James Houston. [1] The shallow depression around the eyes – looking almost like a reverse pair of snow goggles – accentuates the bulge of the cheeks. The head’s upward tilt, and thus the face’s heavenward gaze, lend a spiritual aspect to the work.


    1. Illustrated in Maria von Finckenstein ed., Celebrating Inuit Art 1948-1970, (Hull: Canadian Museum of Civilization, 1999), p. 177.

    For important depictions of heads by Tiktak see First Arts May 2019 Lot 12 and First Arts 1 Dec. 2020 Lot 16. See also Ingo Hessel Arctic Spirit: Inuit Art from the Albrecht Collection at the Heard Museum, (Vancouver: Douglas & McIntyre/Phoenix: Heard Museum 2006), p. 136 (also shown in Walker’s Auctions Ottawa Nov. 2015 Lot 51). The Eskimo Art Collection of the Toronto-Dominion Bank, (Toronto 1972), cat. 46. George Swinton Sculpture of the Inuit (Toronto: M&S 1972/92), figs. 648, 650. Norman Zepp Pure Vision: The Keewatin Spirit, (Regina: Norman Mackenzie Art Gallery 1986), pp. 96-107.
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    Provenance

    Purchased at the Rankin Inlet Craft Shop by a Private Collection, Vancouver, in 1968;
    Walker's Auction, 18 May 2017, Lot 180;
    Acquired from the above by the present Important Private Collection, Toronto.

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FIRST ARTS PREMIERS INC.  
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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