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    Open a larger version of the following image in a popup: ROBERT RIDLEY (1855-1934) HAIDA, Model Totem Pole, c. 1910-1915
    Open a larger version of the following image in a popup: ROBERT RIDLEY (1855-1934) HAIDA, Model Totem Pole, c. 1910-1915
    Open a larger version of the following image in a popup: ROBERT RIDLEY (1855-1934) HAIDA, Model Totem Pole, c. 1910-1915
    Open a larger version of the following image in a popup: ROBERT RIDLEY (1855-1934) HAIDA, Model Totem Pole, c. 1910-1915

    ROBERT RIDLEY (1855-1934) HAIDA

    Model Totem Pole, c. 1910-1915
    cedar wood and pigment, 21.5 x 3.5 x 3.25 in (54.6 x 8.9 x 8.3 cm), measurements reflect dimensions without later added base
    apparently unsigned.
    LOT 144
    ESTIMATE: $3,000 — $5,000
    PRICE REALIZED: $7,320.00

    Further images

    • (View a larger image of thumbnail 1 ) JACOB IRKOK (1937-2009) ARVIAT (ESKIMO POINT), Standing Caribou, c. late 1960s
    • (View a larger image of thumbnail 2 ) JACOB IRKOK (1937-2009) ARVIAT (ESKIMO POINT), Standing Caribou, c. late 1960s
    • (View a larger image of thumbnail 3 ) JACOB IRKOK (1937-2009) ARVIAT (ESKIMO POINT), Standing Caribou, c. late 1960s
    • (View a larger image of thumbnail 4 ) JACOB IRKOK (1937-2009) ARVIAT (ESKIMO POINT), Standing Caribou, c. late 1960s
    Robert Ridley was born in the village of Masset on Haida Gwaii, British Columbia. He was a prolific maker of wood and argillite model poles, model canoes, house models, and...
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    Robert Ridley was born in the village of Masset on Haida Gwaii, British Columbia. He was a prolific maker of wood and argillite model poles, model canoes, house models, and feast spoons. Ridley completed at least two large-scale poles, one for Thunderbird Park in Victoria and the other for the Capilano Suspension Bridge in North Vancouver. This pole reflects Ridley’s skill at capturing and expressing monumentality in a miniature scale. The pole features an eagle, bear, and bear holding a human at the bottom, with the verso hollowed out and the formline from the eagle’s wings wrapping around the back. It is painted in Ridley’s classic palette of burgundy, black, and green, exemplifying his reserved, but impactful, approach to Haida art.


    Christopher W. Smith


    Close full details

    Provenance

    Private Collection, New York, NY.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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