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    Open a larger version of the following image in a popup: MICHAEL MASSIE, C.M., R.C.A. (1962-) KIPPENS, NEWFOUNDLAND AND LABRADOR, Big Eyes, 12 March 2003
    Open a larger version of the following image in a popup: MICHAEL MASSIE, C.M., R.C.A. (1962-) KIPPENS, NEWFOUNDLAND AND LABRADOR, Big Eyes, 12 March 2003
    Open a larger version of the following image in a popup: MICHAEL MASSIE, C.M., R.C.A. (1962-) KIPPENS, NEWFOUNDLAND AND LABRADOR, Big Eyes, 12 March 2003
    Open a larger version of the following image in a popup: MICHAEL MASSIE, C.M., R.C.A. (1962-) KIPPENS, NEWFOUNDLAND AND LABRADOR, Big Eyes, 12 March 2003
    Open a larger version of the following image in a popup: MICHAEL MASSIE, C.M., R.C.A. (1962-) KIPPENS, NEWFOUNDLAND AND LABRADOR, Big Eyes, 12 March 2003

    MICHAEL MASSIE, C.M., R.C.A. (1962-) KIPPENS, NEWFOUNDLAND AND LABRADOR

    Big Eyes, 12 March 2003
    limestone, antler, and wood, 11 x 14 x 5.5 in (27.9 x 35.6 x 14 cm)
    titled, '"Big Eyes'";
    signed and dated, "Massie 03 / March 12".
    LOT 32
    ESTIMATE: $3,000— $5,000
    PRICE REALIZED: $19,520.00

    Further images

    • (View a larger image of thumbnail 1 ) JACOB IRKOK (1937-2009) ARVIAT (ESKIMO POINT), Standing Caribou, c. late 1960s
    • (View a larger image of thumbnail 2 ) JACOB IRKOK (1937-2009) ARVIAT (ESKIMO POINT), Standing Caribou, c. late 1960s
    • (View a larger image of thumbnail 3 ) JACOB IRKOK (1937-2009) ARVIAT (ESKIMO POINT), Standing Caribou, c. late 1960s
    • (View a larger image of thumbnail 4 ) JACOB IRKOK (1937-2009) ARVIAT (ESKIMO POINT), Standing Caribou, c. late 1960s
    • (View a larger image of thumbnail 5 ) JACOB IRKOK (1937-2009) ARVIAT (ESKIMO POINT), Standing Caribou, c. late 1960s
    This sculpture by Michael Massie, from earlier in his career, was sparked by the artist’s fascination with the enormous size of an owl’s eyes relative to its body. Massie has...
    Read more
    This sculpture by Michael Massie, from earlier in his career, was sparked by the artist’s fascination with the enormous size of an owl’s eyes relative to its body. Massie has brilliantly emphasized this by creating a contrast between the huge inlaid eyes and the dynamic liveliness of the bird itself. The deep indents in the wings suggest that they are flapping, and swirling lines cover the torso above the feet, one of which steps forward. The dynamic energy of the sculpture in contrast with the calm gaze of the owl underlines the fact that owls do, indeed, have very big eyes!


    References: For numerous fine examples of Massie’s work in stone and metal see the exhibition catalogue by Gloria Hickey, Silver and Stone: The Art of Michael Massie, (St. John’s, NF: The Rooms, 2006); and Gloria Hickey, “Silver and Stone: The Art of Michael Massie”, Inuit Art Quarterly, Vol. 21, No. 4, Winter 2006, pp. 18-29. For an excellent survey of the artist’s sculptural work, see Spirit Wrestler Gallery, 50 @ 50: Celebration of Metal and Stone: Michael Massie, (Vancouver, 2012). See also First Arts, 5 December 2022, Lot 87; First Arts, 12 June 2023, Lots 46, 96; Feheley Fine Arts, Michael Massie: Stories in Silver & Stone, (Toronto: Feheley Fine Arts, 2022), p. 11-12.
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    Provenance

    Collection of John & Joyce Price, Seattle, WA.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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