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    Open a larger version of the following image in a popup: UNIDENTIFIED HAIDA ARTIST, Argillite Platter, c. 1890
    Open a larger version of the following image in a popup: UNIDENTIFIED HAIDA ARTIST, Argillite Platter, c. 1890
    Open a larger version of the following image in a popup: UNIDENTIFIED HAIDA ARTIST, Argillite Platter, c. 1890
    Open a larger version of the following image in a popup: UNIDENTIFIED HAIDA ARTIST, Argillite Platter, c. 1890
    Open a larger version of the following image in a popup: UNIDENTIFIED HAIDA ARTIST, Argillite Platter, c. 1890

    UNIDENTIFIED HAIDA ARTIST

    Argillite Platter, c. 1890
    argillite, 17 x 17 x 2.75 in (43.2 x 43.2 x 7 cm)
    unsigned.
    LOT 98
    ESTIMATE: $10,000 — $15,000
    PRICE REALIZED: $9,760.00

    Further images

    • (View a larger image of thumbnail 1 ) JACOB IRKOK (1937-2009) ARVIAT (ESKIMO POINT), Standing Caribou, c. late 1960s
    • (View a larger image of thumbnail 2 ) JACOB IRKOK (1937-2009) ARVIAT (ESKIMO POINT), Standing Caribou, c. late 1960s
    • (View a larger image of thumbnail 3 ) JACOB IRKOK (1937-2009) ARVIAT (ESKIMO POINT), Standing Caribou, c. late 1960s
    • (View a larger image of thumbnail 4 ) JACOB IRKOK (1937-2009) ARVIAT (ESKIMO POINT), Standing Caribou, c. late 1960s
    • (View a larger image of thumbnail 5 ) JACOB IRKOK (1937-2009) ARVIAT (ESKIMO POINT), Standing Caribou, c. late 1960s
    This large platter displays a highly idiosyncratic design style that differs from older, more traditional images. The elements themselves are of classic form but lack the connectivity that is so...
    Read more

    This large platter displays a highly idiosyncratic design style that differs from older, more traditional images. The elements themselves are of classic form but lack the connectivity that is so characteristic of most historic period design work. For example, the formline elements above and between the eyes are beautifully formed and composed in a well-integrated design pattern, but they exhibit no formline connection to the eye structures. The eyes have been formed into elaborated ovoids but are not connecting to the mouth/nose structure. The body and limbs of the centre figure appear connected to the mouth and nose, and the feet are overlapped by the pair of elaborated ovoid designs that balance with those of the head.


    Steven C. Brown


    References: See the chapter on argillite plates and platters in Leslie Drew and Douglas Wilson, Argillite: Art of the Haida (Vancouver: Hancock House, 1980), pp. 200-209. See also the chapter on Haida-style platters and plates in Peter L. Macnair and Alan J. Hoover, The Magic Leaves: A History of Haida Argillite Carving (Victoria: Royal BC Museum, 1984/2002), pp. 94-99.
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    Provenance

    With Sotheby's, New York, 29 November, Lot 185; 

    Walker's Auctions, Ottawa, c. 1992-95; 

    By repute: Acquired from the above by the present Private Collection, Ottawa.

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