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    Open a larger version of the following image in a popup: QAQAQ (KAKA) ASHOONA (1928-1996) KINNGAIT (CAPE DORSET), Plump Snowy Owl, 1970s
    Open a larger version of the following image in a popup: QAQAQ (KAKA) ASHOONA (1928-1996) KINNGAIT (CAPE DORSET), Plump Snowy Owl, 1970s
    Open a larger version of the following image in a popup: QAQAQ (KAKA) ASHOONA (1928-1996) KINNGAIT (CAPE DORSET), Plump Snowy Owl, 1970s
    Open a larger version of the following image in a popup: QAQAQ (KAKA) ASHOONA (1928-1996) KINNGAIT (CAPE DORSET), Plump Snowy Owl, 1970s
    Open a larger version of the following image in a popup: QAQAQ (KAKA) ASHOONA (1928-1996) KINNGAIT (CAPE DORSET), Plump Snowy Owl, 1970s
    Open a larger version of the following image in a popup: QAQAQ (KAKA) ASHOONA (1928-1996) KINNGAIT (CAPE DORSET), Plump Snowy Owl, 1970s

    QAQAQ (KAKA) ASHOONA (1928-1996) KINNGAIT (CAPE DORSET)

    Plump Snowy Owl, 1970s
    stone, 2.25 x 2.75 x 1.5 in (5.7 x 7 x 3.8 cm)
    signed "KAKA".
    20

    Further images

    • (View a larger image of thumbnail 1 ) UNIDENTIFIED ARTIST, NUNAVIK (ARCTIC QUEBEC), Dancing Inuk, c. 1950s
    • (View a larger image of thumbnail 2 ) UNIDENTIFIED ARTIST, NUNAVIK (ARCTIC QUEBEC), Dancing Inuk, c. 1950s
    • (View a larger image of thumbnail 3 ) UNIDENTIFIED ARTIST, NUNAVIK (ARCTIC QUEBEC), Dancing Inuk, c. 1950s
    • (View a larger image of thumbnail 4 ) UNIDENTIFIED ARTIST, NUNAVIK (ARCTIC QUEBEC), Dancing Inuk, c. 1950s
    • (View a larger image of thumbnail 5 ) UNIDENTIFIED ARTIST, NUNAVIK (ARCTIC QUEBEC), Dancing Inuk, c. 1950s
    • (View a larger image of thumbnail 6 ) UNIDENTIFIED ARTIST, NUNAVIK (ARCTIC QUEBEC), Dancing Inuk, c. 1950s
    Like the preceding work by Qaunaq Mikkigak (no. 18), this bird appears well-fed, its fullness a testament to nature’s seasonal preparations. The sculpted form, though compact, conveys a sense of...
    Read more
    Like the preceding work by Qaunaq Mikkigak (no. 18), this bird appears well-fed, its fullness a testament to nature’s seasonal preparations. The sculpted form, though compact, conveys a sense of mass, as if the bird is bracing itself against unseen Arctic winds. The choice of stone is especially unique—a reddish-brown with lighter toned flecks, as though tiny embers are suspended within its surface. While we cannot say for certain, one wonders if Qaqaq stumbled upon this small stone on the shoreline, turning it over in his hands and envisioning the bird waiting to emerge.
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    Provenance

    Collection of John & Joyce Price, Seattle, WA.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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