Unlike in recent years, where “bigger” is considered to be “better”, sculptures produced in the 1950s tended to be much smaller in scale. This was due to a variety of factors including lack of modern tools and transportation. In addition, many works produced in the first decade of the “modern” era were highly experimental in nature. This work exemplifies the artist's experimental approach and mastery of small-scale sculpture, showcasing innovation and precision on a small, intimate level. Woman with Tattoos, with Water Pail and Scoop features an inset bone face and, while inlay is not uncommon in Inuit art, inset faces were a short-lived trait in Inukjuak and Sanikiluaq. We love the scrimshawed facial tattoos as well as the subject's determined yet smiling expression.