Drew Michael is a dynamic Yup’ik/Inupiaq artist whose work often draws on themes of identity, trauma, and healing. Michael has honed his skills with early instruction from the likes of Kathleen Carlo-Kendall (1952-), Larry Ahvakana (1946-), and Joe Senungetuk (1940-2023) - three of Alaska’s most celebrated artists. The influence of Carlo-Kendall and Senugnetuk is especially apparent in Michael’s masks, which often incorporate found objects and draw from both historic Yup’ik and Inupiaq mask motifs and Judaeo-Christian religious iconography. [1] Along with other emerging and mid-career Alaska Native artists such as Alison Bremner (Tlingit), Erin Gingrich (Koyukon/Inupiaq), and Kimberly Fulton Orozco (Kaigani Haida), Michael is a part of the next generation of makers pushing boundaries and bringing Alaska Native art to an international audience.

Of this mask, Drew Michael has stated, “Through the Darkness holds the feelings of transitions. As time moves forward the reality of who we are as people lives on and the humanity that we live in has to come to the surface. In all my times of transitions birds have been there to guide the way. I may see life pass on as time does but who I am will not fade without reaching out to something greater. A balance will find its way into who we are and the lives we live.” [2] The mask itself is of a customary form that draws influence from both Yupik and Deg Xit’an masking traditions. The raven is a ubiquitous image across the Arctic, and here is presented with a spirit face on its back, underlining its relationship to mankind and engaging with the observer. This mask also features feathers, nails, and brass tacks in a subtle nod to his art mentors. A large and powerful piece.

1. Drew Michael biography. https://www.drewmichael.art/new-index. Accessed March 14, 2025.

​​2. Through the Darkness. https://stoningtongallery.com/artwork/through-the-darkness/. Accessed March 14, 2025.

Christopher W. Smith