Family Group recalls the warmth and grounded intimacy of the artist’s earlier, more “realistic” works from the late 1960s—a period when familial scenes often anchored her visual language. Here, that sensibility is refracted through a semi-abstract lens. The composition forms a loose triangle, with the mother’s large, centrally placed head rising at the apex, a stabilizing force in the swirl below. Her upward gaze suggests a search for clarity...or maybe just a moment’s peace! Meanwhile, the children seem delightfully indifferent to such stillness, bursting outward in all directions. The result is a work alive with movement, tension, and maternal gravity.