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    Open a larger version of the following image in a popup: SAMSON KAYURYUK (1927-1983) QAMANI’TUAQ (BAKER LAKE), Bear, late 1960s / early 1970s
    Open a larger version of the following image in a popup: SAMSON KAYURYUK (1927-1983) QAMANI’TUAQ (BAKER LAKE), Bear, late 1960s / early 1970s
    Open a larger version of the following image in a popup: SAMSON KAYURYUK (1927-1983) QAMANI’TUAQ (BAKER LAKE), Bear, late 1960s / early 1970s
    Open a larger version of the following image in a popup: SAMSON KAYURYUK (1927-1983) QAMANI’TUAQ (BAKER LAKE), Bear, late 1960s / early 1970s

    SAMSON KAYURYUK (1927-1983) QAMANI’TUAQ (BAKER LAKE)

    Bear, late 1960s / early 1970s
    stone, 1.75 x 5.25 x 1.25 (4.4 x 13.3 x 3.2 cm)
    signed, 'ᑲᔪᔪ".
    LOT 66
    ESTIMATE: $200 — $300
    PRICE REALIZED: $305.00

    Further images

    • (View a larger image of thumbnail 1 ) UNIDENTIFIED INUIT ARTIST, EASTERN CANADIAN ARCTIC, Ashtray and Match Holder, late 1950s
    • (View a larger image of thumbnail 2 ) UNIDENTIFIED INUIT ARTIST, EASTERN CANADIAN ARCTIC, Ashtray and Match Holder, late 1950s
    • (View a larger image of thumbnail 3 ) UNIDENTIFIED INUIT ARTIST, EASTERN CANADIAN ARCTIC, Ashtray and Match Holder, late 1950s
    • (View a larger image of thumbnail 4 ) UNIDENTIFIED INUIT ARTIST, EASTERN CANADIAN ARCTIC, Ashtray and Match Holder, late 1950s
    This small work by Samson Kayuryuk exemplifies the Keewatin sculptural tradition, where form is distilled to its most essential elements. With its elongated body and minimally articulated features, the artist...
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    This small work by Samson Kayuryuk exemplifies the Keewatin sculptural tradition, where form is distilled to its most essential elements. With its elongated body and minimally articulated features, the artist prioritizes silhouette and gesture over fine detail. The smooth, fluid lines and lack of ornamentation draws attention to the natural properties of the stone itself. Kayuryuk, who occasionally collaborated with his wife, Victoria Mamnguqsualuk, embraced this economy of form, creating works that feel both timeless and deeply rooted in Inuit artistic sensibilities.

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    Provenance

    Ex. Coll. Mr John Bell.
    Mr Bell was the Director of the Innuit Gallery, Toronto.
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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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