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Artworks
UNIDENTIFIED HAIDA ARTIST
Sea Captain Figure, c. 1840s or 1850sargillite and bone, 16.75 x 4.5 x 3.25 in (42.5 x 11.4 x 8.3 cm)
with affixed handwritten label in black ink, in an unknown hand, "Queen Charlotte / Island / BC / [indistinct - To: ?all?]."LOT 18
ESTIMATE: $50,000 — $80,000Further images
Haida argillite carvers in the nineteenth century found a popular subject in representations of sea captains and other seagoing subjects. Many of the figures were sculpted solely of argillite, while...Haida argillite carvers in the nineteenth century found a popular subject in representations of sea captains and other seagoing subjects. Many of the figures were sculpted solely of argillite, while others, like this fine example, include a piece of bone or ivory carved with features of the white man’s face. Here a sea officer is wearing a uniform cap atop his full head of wavy hair, no doubt a curiosity to the Haida. His high-collar uniform coat has a full double row of buttons and simple seams shown around the edges. The seams that attach the sleeves are depicted as fine zigzag lines around the shoulders; similarly fine seams appear at his collar and cuffs. His right hand holds a telescope while his left is neatly tucked into his coat pocket. The construction of his shoes is depicted, and his individually carved legs are covered with stovepipe pants. The figure is shown standing on a truncated pyramidal base carved of one piece with the human image.
A number of examples of such figures exist, carved in varying amounts of detail and size, each the encapsulation of an image of authority in a strange (to the Haida) occupation. This rather large figure was made for sale to a ship’s officer.
Steven C. Brown
References: For other fine examples of sea captain or similar figures, see The Spirit Within: Northwest Coast Native Art from the John H. Hauberg Collection, (Seattle: Seattle Art Museum, 1995) fig. 55; Art of the North American Indians: The Thaw Collection, (Cooperstown NY: Fenimore Art Museum, 2000) p. 348; Thomas Vaughan and Bill Holm, Soft Gold, (Portland: Oregon Historical Soc. Press, 1982/90) figs. 111-114; Peter Macnair and Alan L. Hoover, The Magic Leaves, (Victoria: Royal BC Museum, 1984/2002), figs, 66, 72, 73; and Leslie Drew and Douglas Wilson, Argillite: Art of the Haida, (Surrey BC: Hancock House, 1980), pp. 82, 189-191. For a superb example, also with an inset face, see Walker’s Auctions, 25 May 2014, Lot 107.Provenance
Private Collection, British Columbia.
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