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    Open a larger version of the following image in a popup: LUKE ANOWTALIK (1932-2006) ARVIAT (ESKIMO POINT), People Admiring a Bird, early 1980s
    Open a larger version of the following image in a popup: LUKE ANOWTALIK (1932-2006) ARVIAT (ESKIMO POINT), People Admiring a Bird, early 1980s
    Open a larger version of the following image in a popup: LUKE ANOWTALIK (1932-2006) ARVIAT (ESKIMO POINT), People Admiring a Bird, early 1980s
    Open a larger version of the following image in a popup: LUKE ANOWTALIK (1932-2006) ARVIAT (ESKIMO POINT), People Admiring a Bird, early 1980s
    Open a larger version of the following image in a popup: LUKE ANOWTALIK (1932-2006) ARVIAT (ESKIMO POINT), People Admiring a Bird, early 1980s

    LUKE ANOWTALIK (1932-2006) ARVIAT (ESKIMO POINT)

    People Admiring a Bird, early 1980s
    antler, 3 x 7 x 6 in (7.6 x 17.8 x 15.2 cm)
    signed, "ᓗ ᐊᓇᐅᑕᓕ".
    LOT 116
    ESTIMATE: $700 — $1,000
    PRICE REALIZED: $915.00
    9 June 2025

    Further images

    • (View a larger image of thumbnail 1 ) HISTORIC PERIOD INUIT OR POSSIBLY THULE CULTURE MAKERS, Implements and Amulets, c. 19th century or earlier
    • (View a larger image of thumbnail 2 ) HISTORIC PERIOD INUIT OR POSSIBLY THULE CULTURE MAKERS, Implements and Amulets, c. 19th century or earlier
    • (View a larger image of thumbnail 3 ) HISTORIC PERIOD INUIT OR POSSIBLY THULE CULTURE MAKERS, Implements and Amulets, c. 19th century or earlier
    • (View a larger image of thumbnail 4 ) HISTORIC PERIOD INUIT OR POSSIBLY THULE CULTURE MAKERS, Implements and Amulets, c. 19th century or earlier
    • (View a larger image of thumbnail 5 ) HISTORIC PERIOD INUIT OR POSSIBLY THULE CULTURE MAKERS, Implements and Amulets, c. 19th century or earlier
    While Luke Anowtalik is perhaps best known as a stone sculptor, many of our favourite works by the artist are his caribou antler compositions. As a member of the Ahiarmiut...
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    While Luke Anowtalik is perhaps best known as a stone sculptor, many of our favourite works by the artist are his caribou antler compositions. As a member of the Ahiarmiut (inland Caribou Inuit), Anowtalik had a natural affinity to the animal, but clearly the varied shapes and carvability of caribou antler also seem to allow his imagination to run free. Unlike his monolithic stone works, Anowtalik’s antler sculptures are almost always constructed of numerous elements joined together in various ways. We wonder whether this charming scene depicts the small crowd admiring the first bird of spring, or a bird spirit. Delightful!


    References: Rather than carving full figures, here Anowtalik has chosen to use heads to signify the various human characters that, in a way, are rather like he did in his more abstract stone sculptures. He used this imagery in antler works at least as early as 1970; see a fine example from that year in George Swinton, Sculpture of the Inuit, (Toronto: McClelland and Stewart, 1972/92), fig. 592. The same work is illustrated in Darlene Wight, The Swinton Collection of Inuit Art, (Winnipeg, Winnipeg Art Gallery, 1987), cat. 41, p. 40.
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    Provenance

    An Ottawa Collection.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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