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    Open a larger version of the following image in a popup: KIAKSHUK (1886-1966) KINNGAIT (CAPE DORSET), Model Kudlik, 1962
    Open a larger version of the following image in a popup: KIAKSHUK (1886-1966) KINNGAIT (CAPE DORSET), Model Kudlik, 1962
    Open a larger version of the following image in a popup: KIAKSHUK (1886-1966) KINNGAIT (CAPE DORSET), Model Kudlik, 1962
    Open a larger version of the following image in a popup: KIAKSHUK (1886-1966) KINNGAIT (CAPE DORSET), Model Kudlik, 1962
    Open a larger version of the following image in a popup: KIAKSHUK (1886-1966) KINNGAIT (CAPE DORSET), Model Kudlik, 1962
    Open a larger version of the following image in a popup: KIAKSHUK (1886-1966) KINNGAIT (CAPE DORSET), Model Kudlik, 1962

    KIAKSHUK (1886-1966) KINNGAIT (CAPE DORSET)

    Model Kudlik, 1962
    stone, 4.25 x 16.5 x 7 in (10.8 x 41.9 x 17.8 cm)
    unsigned;
    with affixed label from La Guilde (The Canadian Handicrafts Guild), in blue ink, "CD62 / Kiakshuk / AI55 / 35.00"
    LOT 3
    ESTIMATE: $1,200 — $1,800

    Further images

    • (View a larger image of thumbnail 1 ) UNIDENTIFIED NUU-CHAH-NULTH ARTIST, Two Model Totem Poles, c. 1930s / 1940s
    • (View a larger image of thumbnail 2 ) UNIDENTIFIED NUU-CHAH-NULTH ARTIST, Two Model Totem Poles, c. 1930s / 1940s
    • (View a larger image of thumbnail 3 ) UNIDENTIFIED NUU-CHAH-NULTH ARTIST, Two Model Totem Poles, c. 1930s / 1940s
    • (View a larger image of thumbnail 4 ) UNIDENTIFIED NUU-CHAH-NULTH ARTIST, Two Model Totem Poles, c. 1930s / 1940s
    • (View a larger image of thumbnail 5 ) UNIDENTIFIED NUU-CHAH-NULTH ARTIST, Two Model Totem Poles, c. 1930s / 1940s
    • (View a larger image of thumbnail 6 ) UNIDENTIFIED NUU-CHAH-NULTH ARTIST, Two Model Totem Poles, c. 1930s / 1940s
    This large model work carries with it the sense of functionality, as though it could be lifted from the table and put to use. It is carved from richly hued...
    Read more
    This large model work carries with it the sense of functionality, as though it could be lifted from the table and put to use. It is carved from richly hued green stone, the kind with a soft matte finish that artists in Kinngait so often favoured in the late 1950s and early 1960s. The choice of subject feels especially telling. Known for his careful chronicling of Inuit life and history, Kiakshuk here turned his attention to the oil lamp, a form that is both practical and symbolic. It is as if he sought to preserve not only the stories of people but also the objects that shaped their daily survival.
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    Provenance

    Ex. Coll. Colin John Grasset Molson (C.J.G ), Montreal.
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EKIAKSHUK%20%281886-1966%29%20KINNGAIT%20%28CAPE%20DORSET%29%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EModel%20Kudlik%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1962%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3Estone%2C%204.25%20x%2016.5%20x%207%20in%20%2810.8%20x%2041.9%20x%2017.8%20cm%29%3Cbr/%3E%0Aunsigned%3B%20%3Cbr/%3E%0Awith%20affixed%20label%20from%20La%20Guilde%20%28The%20Canadian%20Handicrafts%20Guild%29%2C%20in%20blue%20ink%2C%20%22CD62%20/%20Kiakshuk%20/%20AI55%20/%2035.00%22%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ELOT%203%3Cbr/%3E%0AESTIMATE%3A%20%241%2C200%20%E2%80%94%20%241%2C800%3C/div%3E
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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