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    Open a larger version of the following image in a popup: Possibly MADELEINE ISSERKUT KRINGAYARK (1928-1984) NAUJAAT (REPULSE BAY), Bear with One Red Eye, Roaring, 1961
    Open a larger version of the following image in a popup: Possibly MADELEINE ISSERKUT KRINGAYARK (1928-1984) NAUJAAT (REPULSE BAY), Bear with One Red Eye, Roaring, 1961
    Open a larger version of the following image in a popup: Possibly MADELEINE ISSERKUT KRINGAYARK (1928-1984) NAUJAAT (REPULSE BAY), Bear with One Red Eye, Roaring, 1961
    Open a larger version of the following image in a popup: Possibly MADELEINE ISSERKUT KRINGAYARK (1928-1984) NAUJAAT (REPULSE BAY), Bear with One Red Eye, Roaring, 1961

    Possibly MADELEINE ISSERKUT KRINGAYARK (1928-1984) NAUJAAT (REPULSE BAY)

    Bear with One Red Eye, Roaring, 1961
    whale bone, baleen, and red inlay, 2.25 x 4.25 x 1.75 in (5.7 x 10.8 x 4.4 cm)
    unsigned;
    with affixed label from La Guilde (The Canadian Handicrafts Guild), in blue ink, "RB61 / Isoorak / DDS 6.00”.
    LOT 41
    ESTIMATE: $100 — $150
    PRICE REALIZED: $317.20
    25 September 2025

    Further images

    • (View a larger image of thumbnail 1 ) UNIDENTIFIED NUU-CHAH-NULTH ARTIST, Two Model Totem Poles, c. 1930s / 1940s
    • (View a larger image of thumbnail 2 ) UNIDENTIFIED NUU-CHAH-NULTH ARTIST, Two Model Totem Poles, c. 1930s / 1940s
    • (View a larger image of thumbnail 3 ) UNIDENTIFIED NUU-CHAH-NULTH ARTIST, Two Model Totem Poles, c. 1930s / 1940s
    • (View a larger image of thumbnail 4 ) UNIDENTIFIED NUU-CHAH-NULTH ARTIST, Two Model Totem Poles, c. 1930s / 1940s
    Although this bear’s squat proportions and absence of teeth render him less ferocious and more endearing, his mismatched eyes demand our attention. In Inuit cosmology, the angakkuq (shaman) is believed...
    Read more
    Although this bear’s squat proportions and absence of teeth render him less ferocious and more endearing, his mismatched eyes demand our attention. In Inuit cosmology, the angakkuq (shaman) is believed to traverse different realms through trance or ritual, moving fluidly between the tangible world and the domain of spirits. To do so, he must possess a vision expansive enough to perceive both realities simultaneously. It is tempting, then, to read the bear’s two differently coloured eyes as a metaphor for this dual sight, a reminder of the ability to see more than one world at once.
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    Provenance

    Ex. Coll. Colin John Grasset Molson (C.J.G ), Montreal.
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FIRST ARTS PREMIERS INC.  
 647-286-5012   |    info@firstarts.ca 

 

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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