Likely around April 1950, encouraged by the visiting James Houston’s first buying trip to Puvirnituq, Qupirualu (Koperqualuk or Koperkualook) began carving. He later became a founding member of the Povungnituk Sculptors Society, the precursor to the community’s cooperative.

Qupirualu has been cited by both his brother Paulosie Sivuak (see preceding lot 82) and Levi Qumaluk as among the most admired early carvers in Puvirnituq and this lovely Kneeling Woman with Ulu stands as a testament to that esteem. Here, sinew is threaded with astonishing delicacy through tiny holes beneath the figure’s arms to secure the toggle at her waist. Her ulu, carved to be placed into her hand, has been ingeniously strung to also hang around her neck, a thoughtful adjustment that keeps it secure in transit. She is carved with a broad, balanced form that is enriched by fine detail. Her hair parts neatly around the face, her eyes set with inlay that draws them into focus. The hands press at her sides with their fingers delicately cut. All together, each decision speaks to the Qupirualu’s precision, inventiveness, and care.

ND