In this striking work, Ovillo honours the artistic legacy of her husband’s grandmother, Ikayukta Tunnillie (1911-1980). Here, in one of only three known sculptures where Oviloo chose to depict Ikayukta, the elder artist is shown seated, holding out her drawing of an owl. Her mouth is slightly open, as if caught mid-conversation, ready to share not only the image but also the story that accompanies it.

In a 1997 interview, Oviloo reflected warmly on her relationship with Ikayukta, with whom she had lived during the elder artist’s later years. “I really liked my husband’s grandmother [...] I think of the advice Ikayukta used to give me and I can still use the advice today,” she recalled [1]. Though the details of that guidance are not recorded, her words underscore the depth of respect and affection she felt, as well as the lasting influence of Ikayukta’s counsel.

Ikayukta’s role as a stabilizing presence for Oviloo and her family finds a parallel in the composition of this work itself, where the broad flare of her legs forms a solid base that grounds the figure while allowing the rest of the carving to carry a sense of expression. The torso is gently tilted back, creating an interplay between repose and alertness, and directs the viewer’s attention to the face.

The flat plane of Ikayukta’s “sheet” contrasts against the rounded modeling of her body, setting up a striking contrast that guides the eye to the “drawn” bird. This sheet is not simply an object she holds but an extension of her, a place where the figure and the act of image-making merge into one sculptural idea.

That same balance of form carries through the treatment of the stone itself, its surface handled and polished beautifully by Oviloo. Smooth planes across the garment invite light to glide evenly, while the long, unbroken fall of hair down the back introduces a sumptuous visual contrast. Taken as a whole, this masterful work affirms Ikayukta’s presence not just in memory but in form. It is a reminder of the influence that continued to shape Oviloo’s life and artistic practice, as well as the deep admiration and affection she held for her grandmother-in-law.

1. Adrienne Clarkson Presents, “Women’s Work: Inuit Women Artists,” season 8, episode 19, aired 12 Nov 1997, on the Canadian Broadcasting Corporation, 41:00.

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