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    Open a larger version of the following image in a popup: PUDLO PUDLAT (1916-1992) KINNGAIT (CAPE DORSET), Bird Shaman, early 1960s
    Open a larger version of the following image in a popup: PUDLO PUDLAT (1916-1992) KINNGAIT (CAPE DORSET), Bird Shaman, early 1960s
    Open a larger version of the following image in a popup: PUDLO PUDLAT (1916-1992) KINNGAIT (CAPE DORSET), Bird Shaman, early 1960s
    Open a larger version of the following image in a popup: PUDLO PUDLAT (1916-1992) KINNGAIT (CAPE DORSET), Bird Shaman, early 1960s

    PUDLO PUDLAT (1916-1992) KINNGAIT (CAPE DORSET)

    Bird Shaman, early 1960s
    stone, 4.75 x 5.5 x 3.5 in (12.1 x 14 x 8.9 cm)
    unsigned.
    LOT 7
    ESTIMATE: $1,200 — $1,800

    Further images

    • (View a larger image of thumbnail 1 ) IRENE AVAALAAQIAQ TIKTAALAAQ, R.C.A. (1941-) QAMANI'TUAQ (BAKER LAKE), Untitled Work on Cloth (Seal Shaman Speaking Amongst Inuuk and Birds), c....
    • (View a larger image of thumbnail 2 ) IRENE AVAALAAQIAQ TIKTAALAAQ, R.C.A. (1941-) QAMANI'TUAQ (BAKER LAKE), Untitled Work on Cloth (Seal Shaman Speaking Amongst Inuuk and Birds), c....
    • (View a larger image of thumbnail 3 ) IRENE AVAALAAQIAQ TIKTAALAAQ, R.C.A. (1941-) QAMANI'TUAQ (BAKER LAKE), Untitled Work on Cloth (Seal Shaman Speaking Amongst Inuuk and Birds), c....
    • (View a larger image of thumbnail 4 ) IRENE AVAALAAQIAQ TIKTAALAAQ, R.C.A. (1941-) QAMANI'TUAQ (BAKER LAKE), Untitled Work on Cloth (Seal Shaman Speaking Amongst Inuuk and Birds), c....
    Though sculpture was never Pudlo Pudlat’s main pursuit, works like this make clear how readily his graphic instincts could take sculptural form. The bold incised lines that pick out the...
    Read more

    Though sculpture was never Pudlo Pudlat’s main pursuit, works like this make clear how readily his graphic instincts could take sculptural form. The bold incised lines that pick out the eyes, nose, mouth, and other features feel entirely of a piece with the assertive draftsmanship of his prints and drawings.


    Equally characteristic is his handling of the stone. Where many Kinngait sculptors brought their surfaces to a high polish, Pudlo leaves much of the material in its natural state, preserving its roughness, weight, and tactile presence.

    PF


    Close full details

    Provenance

    Ex. Coll. Terrance "Terry" Ryan, Toronto/Kinngait (Cape Dorset);
    Feheley Fine Arts, Toronto;
    Acquired from the above by John & Joyce Price, Seattle.
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EPUDLO%20PUDLAT%20%281916-1992%29%20KINNGAIT%20%28CAPE%20DORSET%29%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EBird%20Shaman%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3Eearly%201960s%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3Estone%2C%204.75%20x%205.5%20x%203.5%20in%20%2812.1%20x%2014%20x%208.9%20cm%29%3Cbr/%3E%0Aunsigned.%20%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ELOT%207%3Cbr/%3E%0AESTIMATE%3A%20%241%2C200%20%E2%80%94%20%241%2C800%3C/div%3E
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FIRST ARTS PREMIERS INC.  
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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