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    Open a larger version of the following image in a popup: CHRISTIAN WHITE (1962-) OLD MASSET, HAIDA GWAII, Waasgo and the Lazy Son-in-Law, 1989
    Open a larger version of the following image in a popup: CHRISTIAN WHITE (1962-) OLD MASSET, HAIDA GWAII, Waasgo and the Lazy Son-in-Law, 1989
    Open a larger version of the following image in a popup: CHRISTIAN WHITE (1962-) OLD MASSET, HAIDA GWAII, Waasgo and the Lazy Son-in-Law, 1989
    Open a larger version of the following image in a popup: CHRISTIAN WHITE (1962-) OLD MASSET, HAIDA GWAII, Waasgo and the Lazy Son-in-Law, 1989
    Open a larger version of the following image in a popup: CHRISTIAN WHITE (1962-) OLD MASSET, HAIDA GWAII, Waasgo and the Lazy Son-in-Law, 1989
    Open a larger version of the following image in a popup: CHRISTIAN WHITE (1962-) OLD MASSET, HAIDA GWAII, Waasgo and the Lazy Son-in-Law, 1989
    Open a larger version of the following image in a popup: CHRISTIAN WHITE (1962-) OLD MASSET, HAIDA GWAII, Waasgo and the Lazy Son-in-Law, 1989

    CHRISTIAN WHITE (1962-) OLD MASSET, HAIDA GWAII

    Waasgo and the Lazy Son-in-Law, 1989
    argillite, mother of pearl, and pāua shell, 3.5 x 7.25 x 3.5 in (8.9 x 18.4 x 8.9 cm)
    signed with artist’s stylized initials, inscribed, and dated, “CW / HAIDA 89".
    LOT 58
    ESTIMATE: $6,000 — $9,000

    Further images

    • (View a larger image of thumbnail 1 ) IRENE AVAALAAQIAQ TIKTAALAAQ, R.C.A. (1941-) QAMANI'TUAQ (BAKER LAKE), Untitled Work on Cloth (Seal Shaman Speaking Amongst Inuuk and Birds), c....
    • (View a larger image of thumbnail 2 ) IRENE AVAALAAQIAQ TIKTAALAAQ, R.C.A. (1941-) QAMANI'TUAQ (BAKER LAKE), Untitled Work on Cloth (Seal Shaman Speaking Amongst Inuuk and Birds), c....
    • (View a larger image of thumbnail 3 ) IRENE AVAALAAQIAQ TIKTAALAAQ, R.C.A. (1941-) QAMANI'TUAQ (BAKER LAKE), Untitled Work on Cloth (Seal Shaman Speaking Amongst Inuuk and Birds), c....
    • (View a larger image of thumbnail 4 ) IRENE AVAALAAQIAQ TIKTAALAAQ, R.C.A. (1941-) QAMANI'TUAQ (BAKER LAKE), Untitled Work on Cloth (Seal Shaman Speaking Amongst Inuuk and Birds), c....
    • (View a larger image of thumbnail 5 ) IRENE AVAALAAQIAQ TIKTAALAAQ, R.C.A. (1941-) QAMANI'TUAQ (BAKER LAKE), Untitled Work on Cloth (Seal Shaman Speaking Amongst Inuuk and Birds), c....
    • (View a larger image of thumbnail 6 ) IRENE AVAALAAQIAQ TIKTAALAAQ, R.C.A. (1941-) QAMANI'TUAQ (BAKER LAKE), Untitled Work on Cloth (Seal Shaman Speaking Amongst Inuuk and Birds), c....
    • (View a larger image of thumbnail 7 ) IRENE AVAALAAQIAQ TIKTAALAAQ, R.C.A. (1941-) QAMANI'TUAQ (BAKER LAKE), Untitled Work on Cloth (Seal Shaman Speaking Amongst Inuuk and Birds), c....
    In this intense argillite sculpture, Haida master carver Christian White has depicted the supernatural being, Waasgo, guarding its prey. The sculpture appears to illustrate the part of the Lazy Son-in-Law...
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    In this intense argillite sculpture, Haida master carver Christian White has depicted the supernatural being, Waasgo, guarding its prey. The sculpture appears to illustrate the part of the Lazy Son-in-Law story in which the Mother-in-Law, posing as a Medicine Woman, makes a series of predictions about what animals from the sea will appear on the shore for the starving village every morning. Each is grander than the last: Halibut, Sea Lion, and even multiple Killer Whales. Ultimately, it is the difficulty of this last prognostication that takes the life of her Son-in-Law, who has been secretly fulfilling her prophecies in the skin of the Waasgo each night.


    Demonstrating his mastery of miniature-scale sculpture, White has imbued the Waasgo with a lithe grace. The slight turn of the Waasgo’s head breathes life into the work and conveys the power of this supernatural being. The Waasgo is depicted with the head of a Bear, forelegs with fin projections, sharp claws, three dorsal fins, and flukes with a Human face. The four Killer Whales are depicted between the dorsal fins, in the flukes, and on the sides of the Waasgo. The Sea Lion is held under the Waasgo’s left leg (on the backside of the carving), while the Halibut is carved between its claws and under the chin of the Waasgo.


    CWS

    Close full details

    Provenance

    Private Collection, Toronto.
    Inquire
    %3Cdiv%20class%3D%22artist%22%3ECHRISTIAN%20WHITE%20%281962-%29%20OLD%20MASSET%2C%20HAIDA%20GWAII%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EWaasgo%20and%20the%20Lazy%20Son-in-Law%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1989%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3Eargillite%2C%20mother%20of%20pearl%2C%20and%20p%C4%81ua%20shell%2C%203.5%20x%207.25%20x%203.5%20in%20%288.9%20x%2018.4%20x%208.9%20cm%29%3Cbr/%3E%0Asigned%20with%20artist%E2%80%99s%20stylized%20initials%2C%20inscribed%2C%20and%20dated%2C%20%E2%80%9CCW%20/%20HAIDA%2089%22.%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ELOT%2058%3Cbr/%3E%0AESTIMATE%3A%20%246%2C000%20%E2%80%94%20%249%2C000%3C/div%3E
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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