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    Open a larger version of the following image in a popup: INNUKI OQUTAQ (1926-1986) KINNGAIT (CAPE DORSET), Monumental Incised Antler with Arctic Motifs, 1970s
    Open a larger version of the following image in a popup: INNUKI OQUTAQ (1926-1986) KINNGAIT (CAPE DORSET), Monumental Incised Antler with Arctic Motifs, 1970s
    Open a larger version of the following image in a popup: INNUKI OQUTAQ (1926-1986) KINNGAIT (CAPE DORSET), Monumental Incised Antler with Arctic Motifs, 1970s
    Open a larger version of the following image in a popup: INNUKI OQUTAQ (1926-1986) KINNGAIT (CAPE DORSET), Monumental Incised Antler with Arctic Motifs, 1970s
    Open a larger version of the following image in a popup: INNUKI OQUTAQ (1926-1986) KINNGAIT (CAPE DORSET), Monumental Incised Antler with Arctic Motifs, 1970s
    Open a larger version of the following image in a popup: INNUKI OQUTAQ (1926-1986) KINNGAIT (CAPE DORSET), Monumental Incised Antler with Arctic Motifs, 1970s
    Open a larger version of the following image in a popup: INNUKI OQUTAQ (1926-1986) KINNGAIT (CAPE DORSET), Monumental Incised Antler with Arctic Motifs, 1970s
    Open a larger version of the following image in a popup: INNUKI OQUTAQ (1926-1986) KINNGAIT (CAPE DORSET), Monumental Incised Antler with Arctic Motifs, 1970s

    INNUKI OQUTAQ (1926-1986) KINNGAIT (CAPE DORSET)

    Monumental Incised Antler with Arctic Motifs, 1970s
    antler, stone, and black ink, 30.73 x 18.5 x 16 in (78.1 x 47 x 40.6 cm)
    signed, "ENOOKI";
    with green Co-op sticker, their inventory number 2303.
    LOT 73
    ESTIMATE: $1,200 — $1,800

    Further images

    • (View a larger image of thumbnail 1 ) REBESECA FAMILY MEMBER(S)?, DENE, TŁĮCHǪ NATION (FORT RESOLUTION, NT), Two Beaded Works, 1970s
    • (View a larger image of thumbnail 2 ) REBESECA FAMILY MEMBER(S)?, DENE, TŁĮCHǪ NATION (FORT RESOLUTION, NT), Two Beaded Works, 1970s
    • (View a larger image of thumbnail 3 ) REBESECA FAMILY MEMBER(S)?, DENE, TŁĮCHǪ NATION (FORT RESOLUTION, NT), Two Beaded Works, 1970s
    • (View a larger image of thumbnail 4 ) REBESECA FAMILY MEMBER(S)?, DENE, TŁĮCHǪ NATION (FORT RESOLUTION, NT), Two Beaded Works, 1970s
    • (View a larger image of thumbnail 5 ) REBESECA FAMILY MEMBER(S)?, DENE, TŁĮCHǪ NATION (FORT RESOLUTION, NT), Two Beaded Works, 1970s
    • (View a larger image of thumbnail 6 ) REBESECA FAMILY MEMBER(S)?, DENE, TŁĮCHǪ NATION (FORT RESOLUTION, NT), Two Beaded Works, 1970s
    • (View a larger image of thumbnail 7 ) REBESECA FAMILY MEMBER(S)?, DENE, TŁĮCHǪ NATION (FORT RESOLUTION, NT), Two Beaded Works, 1970s
    • (View a larger image of thumbnail 8 ) REBESECA FAMILY MEMBER(S)?, DENE, TŁĮCHǪ NATION (FORT RESOLUTION, NT), Two Beaded Works, 1970s
    Innuki, also known as Enooky, belonged to a family of remarkable artistic gifts. Like his brothers Osuitok Ipeelee and Sheokjuk Oqutaq, he showed exceptional talent, though where they became celebrated...
    Read more

    Innuki, also known as Enooky, belonged to a family of remarkable artistic gifts. Like his brothers Osuitok Ipeelee and Sheokjuk Oqutaq, he showed exceptional talent, though where they became celebrated for stone and ivory sculpture, Innuki made his name through the highly exacting art of scrimshaw [1]. It is a demanding medium. The surface must be carefully sanded smooth before the design can begin, after which the incised lines are filled with ink, graphite, or lampblack, which settle permanently into the cuts. Each mark must be sure from the outset, since the process allows little to no revision.




    Many Inuit artists of the period worked in this medium, preparing an immaculate ground for finely drawn imagery. Innuki, however, favoured caribou antler. Instead of suppressing its irregularities, he made use of them, allowing the natural contours and shifting planes to shape scenes of camp life, traditional dress, and Arctic animals. Monumental in scale and striking in form, the present work shows the imagination and control for which his practice is distinguished.


    1. We acknowledge that “scrimshaw” is not an entirely accurate term for this art form. However, it has entered common usage in both scholarship and the art market, and so it is employed here for clarity and consistency.
    Close full details

    Provenance

    An Ontario Collection.
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EINNUKI%20OQUTAQ%20%281926-1986%29%20KINNGAIT%20%28CAPE%20DORSET%29%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EMonumental%20Incised%20Antler%20with%20Arctic%20Motifs%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1970s%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3Eantler%2C%20stone%2C%20and%20black%20ink%2C%2030.73%20x%2018.5%20x%2016%20in%20%2878.1%20x%2047%20x%2040.6%20cm%29%3Cbr/%3E%0Asigned%2C%20%22ENOOKI%22%3B%3Cbr/%3E%0Awith%20green%20Co-op%20sticker%2C%20their%20inventory%20number%202303.%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ELOT%2073%3Cbr/%3E%0AESTIMATE%3A%20%241%2C200%20%E2%80%94%20%241%2C800%3C/div%3E
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FIRST ARTS PREMIERS INC.  
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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