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    Open a larger version of the following image in a popup: EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Mother Holding her Child, 1993
    Open a larger version of the following image in a popup: EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Mother Holding her Child, 1993
    Open a larger version of the following image in a popup: EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Mother Holding her Child, 1993
    Open a larger version of the following image in a popup: EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Mother Holding her Child, 1993
    Open a larger version of the following image in a popup: EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT), Mother Holding her Child, 1993

    EVA TALOOKI ALIKTILUK (1927-1994) ARVIAT (ESKIMO POINT)

    Mother Holding her Child, 1993
    antler, felt, beads, cotton thread, and leather, 5 x 5 x 2 in (12.7 x 12.7 x 5.1 cm)
    unsigned.
    LOT 66
    ESTIMATE: $600 — $900
    PRICE REALIZED: $366.00
    30 April 2026

    Further images

    • (View a larger image of thumbnail 1 ) REBESECA FAMILY MEMBER(S)?, DENE, TŁĮCHǪ NATION (FORT RESOLUTION, NT), Two Beaded Works, 1970s
    • (View a larger image of thumbnail 2 ) REBESECA FAMILY MEMBER(S)?, DENE, TŁĮCHǪ NATION (FORT RESOLUTION, NT), Two Beaded Works, 1970s
    • (View a larger image of thumbnail 3 ) REBESECA FAMILY MEMBER(S)?, DENE, TŁĮCHǪ NATION (FORT RESOLUTION, NT), Two Beaded Works, 1970s
    • (View a larger image of thumbnail 4 ) REBESECA FAMILY MEMBER(S)?, DENE, TŁĮCHǪ NATION (FORT RESOLUTION, NT), Two Beaded Works, 1970s
    • (View a larger image of thumbnail 5 ) REBESECA FAMILY MEMBER(S)?, DENE, TŁĮCHǪ NATION (FORT RESOLUTION, NT), Two Beaded Works, 1970s
    Eva Talooki Aliktiluk brought unusual tenderness and wit to small-scale sculpture. Her carvings are often modest in size and direct in form, frequently showing mothers with children, yet they never...
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    Eva Talooki Aliktiluk brought unusual tenderness and wit to small-scale sculpture. Her carvings are often modest in size and direct in form, frequently showing mothers with children, yet they never feel slight. Again and again, she found ways to make these pared-down figures vivid and affecting.


    Beads play an essential role in that effect. They do more than ornament the surface. They call to mind the decoration of Inuit clothing and lend her figures a particular sense of character, intimacy, and lived presence. In antler especially, this approach is particularly compelling. The material’s rough, irregular surface gives the carving a raw, tactile force, while the small coloured beads introduce delicacy, warmth, and a note of care that gently offsets its severity.


    Here, that contrast is especially memorable. The infant, shown seated in the mother’s lap, is ringed with beads around the face, a small but arresting detail that draws the eye at once. It is both playful and deeply observant, turning a humble domestic moment into something affectionate, earthy, and entirely her own.

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    Provenance

    With The Upstairs Gallery, Winnipeg, MB;
    Collection of John and Joyce Price, Seattle.

    Publications

    Faye Settler, et. al, Special Small Sculptures : Old and New, The Upstairs Gallery, Winnipeg, MB, nd (1999?), fig. 11, p. 2. as "Mother & Child with Beads, 1993".
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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