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    Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, NUNAVIK (ARCTIC QUEBEC), Kneeling Woman with Ulu and Face Tattoos, c. 1950s
    Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, NUNAVIK (ARCTIC QUEBEC), Kneeling Woman with Ulu and Face Tattoos, c. 1950s
    Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, NUNAVIK (ARCTIC QUEBEC), Kneeling Woman with Ulu and Face Tattoos, c. 1950s
    Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, NUNAVIK (ARCTIC QUEBEC), Kneeling Woman with Ulu and Face Tattoos, c. 1950s
    Open a larger version of the following image in a popup: UNIDENTIFIED ARTIST, NUNAVIK (ARCTIC QUEBEC), Kneeling Woman with Ulu and Face Tattoos, c. 1950s

    UNIDENTIFIED ARTIST, NUNAVIK (ARCTIC QUEBEC)

    Kneeling Woman with Ulu and Face Tattoos, c. 1950s
    stone, bone, ivory, and graphite, 4.5 x 4.25 x 3.5 in (11.4 x 10.8 x 8.9 cm)
    unsigned.
    LOT 46
    ESTIMATE: $800 — $1,200

    Further images

    • (View a larger image of thumbnail 1 ) SANFORD WILLIAMS (1967-) MOWACHAHT/MUCHALAHT (NUU-CHAH-NULTH), Mask, c. 2000s
    • (View a larger image of thumbnail 2 ) SANFORD WILLIAMS (1967-) MOWACHAHT/MUCHALAHT (NUU-CHAH-NULTH), Mask, c. 2000s
    • (View a larger image of thumbnail 3 ) SANFORD WILLIAMS (1967-) MOWACHAHT/MUCHALAHT (NUU-CHAH-NULTH), Mask, c. 2000s
    • (View a larger image of thumbnail 4 ) SANFORD WILLIAMS (1967-) MOWACHAHT/MUCHALAHT (NUU-CHAH-NULTH), Mask, c. 2000s
    • (View a larger image of thumbnail 5 ) SANFORD WILLIAMS (1967-) MOWACHAHT/MUCHALAHT (NUU-CHAH-NULTH), Mask, c. 2000s
    This compact sculpture is rich with visual cues that speak to cultural specificity. The figure’s face, delicately inlaid and engraved with traditional facial tattoos, clearly marks the subject as a...
    Read more

    This compact sculpture is rich with visual cues that speak to cultural specificity. The figure’s face, delicately inlaid and engraved with traditional facial tattoos, clearly marks the subject as a woman. These tattoos, stylized lines in graphite that extend from from the lips to her chin and across the cheeks, are not merely decorative but are deeply symbolic, tied to identity, lineage, and lived experience. With an ulu in hand, she leans slightly forward, as if caught mid-action—perhaps just about to begin preparing an unseen feast laid out before her.

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    Provenance

    Marion Scott Gallery, Vancouver;
    Acquired from the above by John & Joyce Price, Seattle, WA, July 2000, as "Unidentified, Western Arctic" and "c. 1950".
    Inquire
    %3Cdiv%20class%3D%22artist%22%3EUNIDENTIFIED%20ARTIST%2C%20NUNAVIK%20%28ARCTIC%20QUEBEC%29%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EKneeling%20Woman%20with%20Ulu%20and%20Face%20Tattoos%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3Ec.%201950s%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3Estone%2C%20bone%2C%20ivory%2C%20and%20graphite%2C%204.5%20x%204.25%20x%203.5%20in%20%2811.4%20x%2010.8%20x%208.9%20cm%29%3Cbr/%3E%0Aunsigned.%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ELOT%2046%3Cbr/%3E%0AESTIMATE%3A%20%24800%20%E2%80%94%20%241%2C200%3C/div%3E
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FIRST ARTS PREMIERS INC.  
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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