First Arts company logo
First Arts
Skip to main content
  • Menu
  • Home
  • Spring 2025 | Live Auction
  • Available Artworks
  • Auctions & Exhibitions
  • About
  • SERVICES
  • News & Blog
Menu

INUIT & FIRST NATIONS ART AUCTION: 7:00 PM

Past exhibition
12 July 2020
Open a larger version of the following image in a popup: Lot 4 AKEEAKTASHUK (1898-1954) m., INUKJUAK (PORT HARRISON) Standing Hunter, c. 1950-51 stone and ivory, 5.75 x 3.25 x 2 in (14.6 x 8.3 x 5.1 cm) without base Estimate: $5,000 ⁠— $8,000
Lot 4

AKEEAKTASHUK (1898-1954) m., INUKJUAK (PORT HARRISON)

Standing Hunter, c. 1950-51

stone and ivory, 5.75 x 3.25 x 2 in (14.6 x 8.3 x 5.1 cm) without base

unsigned.

 

Estimate: $5,000 ⁠— $8,000

 

Provenance

Canadian Handicrafts Guild, Toronto;

Acquired from the above by the distinguished Canadian sculptor David Franklin Marshall, Vancouver in the early 1950s;

by descent to his widow Carel Marshall;

Marion Scott Gallery, Vancouver;

Private Collection, Toronto.

 

Akeeaktashuk often used ivory as a secondary carving material, using it to fashion tools and weapons, small adornments such as parka toggles, and facial features such as eyes and teeth both in human and animal subjects. We are not aware of published examples of his work that incorporate ivory faces and hands, but there is intriguing evidence that the artist carved even complete animal figures out of ivory [1].  There is, however, a published small bone carving of a human face and two bear’s heads by the artist, from 1952, published in the Guild of Crafts catalogue [2]. There are also examples of the artist insetting faces of contrasting stone colour [3]. 

 

Importantly, the figure itself perfectly matches the scale, the overall proportions, the look of the weapons, and stance of an Akeeaktashuk hunter of the period – that slight tilt of the body and backward tilt of the arm as the hunter leans into the thrust of the harpoon – not to mention the general feeling of confidence and clarity that his hunting figures convey. 

 

1. Darlene Coward Wight quotes a 1955 article in "The Montrealer" in Early Masters p. 30. The author Wanda Tolboom (who had lived at HBC posts in Nunavik between 1946 and 1951 and met Akeeaktashuk), wrote that Akeeaktashuk carved stone and ivory animal figures that he would give away to children.

2. Canadian Guild of Crafts Quebec, The Permanent Collection (Montreal: CGCQ, 1980) cat. 58.

3. The Match Holder with Bear and Human Heads in Darlene Coward Wight, Early Masters (WAG, 2006), p. 33.

 

References: Canadian Guild of Crafts Quebec, The Permanent Collection: Inuit Arts and Crafts c. 1900-1980 (Montreal: CGCQ, 1980) illustrates several early works by Akeeaktashuk: cats. 29, 30, 58, 71. See the section on Akeeaktashuk in Darlene Coward Wight, Early Masters: Inuit Sculpture 1949-1955 (WAG: 2006), pp. 28-37. See also Gerald McMaster, ed., Inuit Modern: The Samuel and Esther Sarick Collection (Toronto: AGO, 2010), p. 69; Walker’s Auctions, Nov. 2011, Lot 33; and Waddington’s Auctions, Nov. 2007, Lot 210.

 

View Additional Images
Inquire
%3Cp%3ELot%204%20%3Cstrong%3EAKEEAKTASHUK%20%281898-1954%29%20m.%2C%20INUKJUAK%20%28PORT%20HARRISON%29%3C/strong%3E%3C/p%3E%3Cem%3EStanding%20Hunter%3C/em%3E%2C%20c.%201950-51%3C/p%3Estone%20and%20ivory%2C%205.75%20x%203.25%20x%202%20in%20%2814.6...%3C/p%3E
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
4 
of  119
Back to exhibitions

FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

Join Our Mailing List

 

JOIN

 

 

 

Facebook, opens in a new tab.
Instagram, opens in a new tab.
Send an email
Manage cookies
Copyright © 2025 First Arts
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Join

* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.