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INUIT & FIRST NATIONS ART AUCTION: 7:00 PM

Past exhibition
12 July 2020
Open a larger version of the following image in a popup: Lot 89 Possibly SHEOKJUK OQUTAQ (1920-1982) m., KIMMIRUT / KINNGAIT (LAKE HARBOUR / CAPE DORSET) Standing Man, mid 1950s stone, ivory, red inlay, and black colouring, 9.75 x 3.75 x 2.5 in (24.8 x 9.5 x 6.3 cm) not including lucite base Estimate: $4,500⁠⁠⁠— $6,500
Lot 89

Possibly SHEOKJUK OQUTAQ (1920-1982) m., KIMMIRUT / KINNGAIT (LAKE HARBOUR / CAPE DORSET) 

Standing Man, mid 1950s

stone, ivory, red inlay, and black colouring, 9.75 x 3.75 x 2.5 in (24.8 x 9.5 x 6.3 cm) not including lucite base

unsigned. 

 

Estimate: $4,500⁠⁠⁠— $6,500

 

Provenance

Private Collection, Ottawa.

 

If this beautiful sculpture does not reveal the hand of Sheokjuk Oqutaq, it possibly reveals his influence or is the work of an unidentified but worthy rival. Standing Man is carved with a remarkable degree of sensitivity, and while not particularly large, the figure is quietly imposing. It's a quiet masterpiece of its type.

 

While the clothing is fashioned with apparent simplicity it is not shapeless; we get a true sense of the body and the pose underneath. This figure of a young man is not static, it stands at ease - that's a subtle but important distinction. That the mittens and lower portions of the kamiks are fashioned from ivory is a lovely touch. The delicately carved mittens are reminiscent of the beautiful small ivory hands of one of Sheokjuk's masterpieces, Woman Sewing Mitt from c. 1955 [1]. The parka's red inlay trim, too, is a rare and appealing aspect of this particular sculpture [2].

 

The ivory face is not exactly in the "typical" style of Sheokjuk - the eyes are pinpoint rather than almond-shaped - however, the nose and the treatment of the hair are in keeping with his style. The young man's facial features - high cheekbones, his brows, and his long, narrow nose - are subtly yet exquisitely rendered. 

 

1. Woman Sewing Mitt, in the Sarick Collection at the AGO, is illustrated in Darlene Wight's Early Masters catalogue, p. 152, and elsewhere.

2. It should be noted that many of Sheokjuk's ivory carvings and several of his stone sculptures have similar incised (but not inlaid) parka designs - blackened in the case of the ivory works. See Darlene Wight's Early Masters exhibition catalogue for several examples. 

 

Reference: Darlene Coward Wight, Early Masters: Inuit Sculpture 1949-1955 (Winnipeg Art Gallery, 2006), pp. 152-161. 

 

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FIRST ARTS PREMIERS INC.  
Nadine Di Monte   |    647-286-5012   |    info@firstarts.ca 

Ingo Hessel  |    613-818-2100   |    ingo@firstarts.ca

The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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