ADAMIE ASHEVAK (1959-) KINNGAIT (CAPE DORSET)
Priest Blessing Parishioner, 1990s / 2000s
stone and black, dimensions variable, the priest: 13.5 x 8 x 8.25 in (34.3 x 20.3 x 21 cm) / the parishioner: 9.75 x 3.25 x 5.25 in (24.8 x 8.3 x 13.3 cm)
each signed, "ᐊᑕᒥ / ᐊᓱᕙ".
each signed, "ᐊᑕᒥ / ᐊᓱᕙ".
$ 3,000.00
Further images
This artwork, depicting a priest blessing a parishioner, captures the complex relationship between Inuit culture and Christianity. While the presence of missionaries in the North is linked to a history...
This artwork, depicting a priest blessing a parishioner, captures the complex relationship between Inuit culture and Christianity. While the presence of missionaries in the North is linked to a history of colonialism and cultural disruption, Christianity has also become a significant and embraced part of life for many Inuit communities. This scene reflects not only the impact of these historical forces but also how Inuit have integrated and adapted these beliefs, making them a part of their lived experience and cultural identity.
The composition is both intimate and dynamic, effectively portraying the interaction between the priest and the parishioner. The figures are carved with a sense of realism while maintaining a stylized simplicity. The priest stands before a lectern with an outstretched hand in a gesture of blessing. The specificity of the priest's glasses adds a sense of individuality to the figure. The parishioner's upward gaze suggests a moment of spiritual connection, adding emotional depth to this powerful representation.
The composition is both intimate and dynamic, effectively portraying the interaction between the priest and the parishioner. The figures are carved with a sense of realism while maintaining a stylized simplicity. The priest stands before a lectern with an outstretched hand in a gesture of blessing. The specificity of the priest's glasses adds a sense of individuality to the figure. The parishioner's upward gaze suggests a moment of spiritual connection, adding emotional depth to this powerful representation.
Provenance
Collection of John & Joyce Price, Seattle, WA.1
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