While Iksiktaaryuk may have begun his career carving caribou antler birds, his legacy is most profoundly tied to his depictions of the human form. His figures—whether solitary or integrated into the complex choreography of drum dance compositions—reflect a breathtaking mastery of the antler medium. One gets the distinct sense that his subjects were always present in the antler, waiting for Iksiktaaryuk to coax them into the light.

With remarkable restraint, he transformed raw material into works that are brimming with life and emotion. His carving approach was economical, almost reverential, balancing precision with a profound understanding of form. This Standing Man encapsulates that duality: understated yet evocative, cool yet deeply expressive. Its sculptural presence is undeniable. What’s particularly striking is Iksiktaaryuk’s unapologetic embrace of the functional elements in his works. Instead of concealing the nails that secure his joinery, he lets them remain visible, celebrating their utilitarian honesty. It’s a decision that echoes the philosophy underpinning his entire practice: that sometimes, less truly is more.