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    Open a larger version of the following image in a popup: JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Standing Man, c. 1973
    Open a larger version of the following image in a popup: JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Standing Man, c. 1973
    Open a larger version of the following image in a popup: JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Standing Man, c. 1973
    Open a larger version of the following image in a popup: JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET), Standing Man, c. 1973

    JOHN TIKTAK, R.C.A. (1916-1981) KANGIQLINIQ (RANKIN INLET)

    Standing Man, c. 1973
    stone, 7.75 x 4 x 2.25 in (19.7 x 10.2 x 5.7 cm)
    signed "ᑎᑕ".
    LOT 92
    ESTIMATE: $3,500 — $5,000
    PRICE REALIZED: $3,660.00
    1 June 2026

    Further images

    • (View a larger image of thumbnail 1 ) IRENE AVAALAAQIAQ TIKTAALAAQ, R.C.A. (1941-) QAMANI'TUAQ (BAKER LAKE), Untitled Work on Cloth (Seal Shaman Speaking Amongst Inuuk and Birds), c....
    • (View a larger image of thumbnail 2 ) IRENE AVAALAAQIAQ TIKTAALAAQ, R.C.A. (1941-) QAMANI'TUAQ (BAKER LAKE), Untitled Work on Cloth (Seal Shaman Speaking Amongst Inuuk and Birds), c....
    • (View a larger image of thumbnail 3 ) IRENE AVAALAAQIAQ TIKTAALAAQ, R.C.A. (1941-) QAMANI'TUAQ (BAKER LAKE), Untitled Work on Cloth (Seal Shaman Speaking Amongst Inuuk and Birds), c....
    • (View a larger image of thumbnail 4 ) IRENE AVAALAAQIAQ TIKTAALAAQ, R.C.A. (1941-) QAMANI'TUAQ (BAKER LAKE), Untitled Work on Cloth (Seal Shaman Speaking Amongst Inuuk and Birds), c....
    This sculpture of a standing male figure by John Tiktak, acquired from the artist around 1973, displays the formal clarity characteristic of his oeuvre. Crafted with a distinctly rough-hewn surface,...
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    This sculpture of a standing male figure by John Tiktak, acquired from the artist around 1973, displays the formal clarity characteristic of his oeuvre. Crafted with a distinctly rough-hewn surface, the piece preserves visible tool marks that highlight both the process and material, demonstrating Tiktak’s straightforward approach to stone carving. The composition is notable for the artist’s signature use of negative space between the arms and torso, which imparts a sense of openness and structural rhythm while ensuring the figure's compact solidity. The streamlined, almost architectural form indicates a focus on essential human presence rather than individualized detail. While rooted in the artistic traditions of Rankin Inlet, the work also moves toward a more modern abstraction, using restraint and form to convey subtle intensity and inward presence that lingers well beyond first glance.


    MBL


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    Provenance

    Acquired directly from the artist, c. 1973 by the present Private Collection, Manitoba.
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The main office of First Arts Premiers Inc. is located on the ancestral and traditional territories of the Mississaugas of the Credit, Anishinaabe, Haudenosaunee, and Huron-Wendat, the original owners and custodians of this land.  Today, it is home to many diverse First Nations, Inuit, and Métis peoples.

 

 

 

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